Sore Flanks Redemption
Teen Age Riot
alwang at eniac.seas.upenn.edu
Mon Jul 29 13:24:50 CDT 1996
>
> Whoa, what's wrong with the Shawshank Redemption. I think you guys
> over-analyze: what's so wrong with some body falsely-accused getting
> some redemption in the end? Happens everyday I say to you doomsayers.
> Now I'm not getting all lovey-dovey, wait-till-the next life kinda stuff
> but also seems to me what poor old tales sung down ole christian
> minstrelcy well I gotta say some of what the man of sorrows advocates
> ain't such a bad thing...
I'll have to concur. Shawshank may not be the story of the average con's
experience in prison, but then again, that may not make for particularly
interesting storytelling. I think we can assume the general audience
knows prison life isn't always so karmically-well-adjusted, so what's
important isn't what the final "moral" of the story is, but how the
prison brutality is presented throughout, and if the moviemakers feel
like sweetening things up a little near the end to let us feel a bit more
chipper as we walk out of the theater, well, it doesn't detract much
for me. Besides, how well *does* the system work? Brooks finds himself
irrevocably unfit for outside life. Tim Robbins, regardless of whether
or not he eventually finds freedom, spends decades in jail for a crime he
didn't commit, without ever recieving any sort of pardon. If anything,
the message seems to be that the system *doesn't* work, and it left to
the strength of the individual spirit to break free from it.
A fun movie. Not a great movie, but a fun movie. Now, Poison Ivy 2
starring Alyssa Milano, which I saw this weekend: THERE'S a cinematic
achievement.
__________________________________________
al wang
http://www.seas.upenn.edu/~alwang/home.htm
talk request at: alwang at random.resnet.upenn.edu
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