Pynchonian Rorschach
David Casseres
casseres at apple.com
Mon Jul 7 13:39:56 CDT 1997
Henry sez
>Bu-ut I haven't haven't heard any reasonable argument
>against the suggestion that Pynchon's concern for historical accuracy
>has declined post-GR....
Well, as always I'll *try* to be reasonable....
Seems to me Gravity's Rainbow has not been subjected to the same kind of
fact-checking as Mason & Dixon, simply because it doesn't even remotely
appear to "historical fiction" while Mason & Dixon does, remotely. Has
anyone determined whether Mickey Rooney was *really* at Potsdam? Whether
the tunnels at Nordhausen were *really* in the shape of an SS insigne?
What the waters of the mouth of the Elbe, and the surrounding Baltic
coastline, are *really* like? Whether Herero tradition *really* uses an
aardvaark burrow as part of a healing/integration process? What *about*
those Soviet-driven alphabet reforms in Kirghizstan, eh?
In Gravity's Rainbow we eat up all that stuff with little concern for the
accuracy of those facts, being (silly us) absorbed in the literary
effect, which only depends on verisimilitude, not factuality. In Mason &
Dixon, we seem to be approaching with some kind of chip on our shoulder.
Well, Tom, you gave us Gravity's Rainbow and then disappointed us with
Vineland, what else can you show us? What's this, a *historical
novel???* OK, is the 18th Century language authentic? We can tell,
we're literate, literary Anglophones. Is the naval history correct? We
know, 'cause we can read O'Brian too. Is the Southern Africa history
correct, or the St. Helena stuff? Well, um, maybe, who nose? But that
American history! Aha, gotcha Tom, a lot of us are actually *Americans*
and we know this stuff! Literary effect? What literary effect?
I claim if the two novels were approached in the same way, the concern
for historical accuracy would turn out to be about the same, and about as
relevant to the literary intent of the two novels.
Cheers,
David
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