GRGR(14) the target slips away

Terrance F. Flaherty Lycidas at worldnet.att.net
Tue Nov 23 00:11:48 CST 1999



David Morris wrote:

> 
> I honestly think the narrative perspectives/voices throughout GR shift so
> quickly that it's a loosing battle to try to affix a person, dream-world or
> not, to every scene or even remembrance.  It bogs one down in trying to keep
> a grip on a reality we know.  If there's one thing you don't want to do when
> starting to trip is trying NOT to trip.


Right, relax and enjoy the ride, if you try not to trip, you
will anyway, but it won't be pleasant. But I think there are
many ways to enjoy the trip. One can certainly read GR  as
one listens to jazz, but one can also read it as a complex
work of many voices ironically structured through images and
allusions. I think both approaches compliment each other,
but I think its important, when possible, to determine the
position of the narrator and examine the the reader's
process of making sense of the narrative.



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