Writing Theory

[Mark A. Douglas]

Continuing with the thought that Pynchon is writing one big novel, COL49 seems
almost like an outtake from an idea while writing GR and M&D.  This is not at
all to criticize the book, but its themes, while found in V., GR, and M&D,
hmm...I'm not quite sure how to say this correctly.  I think of COL49 (and
Vineland, for that matter) as outtakes from other works, not to say that they
were originally part of other works.  I have in my mind a picture of a jazz
improvisation...the entire song may be termed V.GRM&D, but the composer may
decide that he really wants to play around with a theme that came up during the
composition...if that makes any sense at all.

And a question to go along with this:  do the letters mention the works, the
four big novels being worked on?  COL49 and Vineland just don't strike me as
being termed 'big' novels.  I know there were rumors of M&D as far back as the
publication of GR (okay, I don't "know" this, but a book-selling friend of mine
told me this so I'll believe him for now):  are there any rumors floating around
now?

Also, in regards to GRGR:  keep it going.  Very informative.  Way over my head
at times, but an excellent source for some questions.  I'm more of a lurker than
participant because I had just finished a reread of GR before the GroupRead
began, but I definitely think it's worthy of continuation.

Peace,
Mark

Doug Millison wrote:

> The four novels he was working on in the 60s were more likely V., GR,
> COL49, and M&D (not Vineland).
>