resonances with joseph furphy
julian nasti
mercutio451 at hotmail.com
Mon May 29 22:09:08 CDT 2000
hey there,
i'm 16, and i'll be darned if i'm not one of the youngest ever readers of
gravity's rainbow. i'd just like to make a few, rather naive and desultory
remarks about my impressions of the tome as a whole...
this, especially for non-australian (ie. 99.9999% of p-list) subscribers,
may seem a rather obscure reference, but what struck me upon first reading
was the distinctive parallels between the overall structure and textual
modality of gr and that of joseph furphy's late 19th century australian
classic "such is life".
"Such Is Life" presaged many of the techniques of the modernist movement -
especially those of stream of consciousness and shifting point of
view/narratorial perspective (note especially faulkner's "the sound and the
fury") and held to some of the tenets of the post-modernist movement,
namely, the rejection of plot as a defensible novelistic concept. Now I'm
not saying that narratorial voice/perspective changes much at all during
gravity's rainbow (though I still maintain that the more comic sections of
gr, un perm' au casino hermann goering, the bit with the troupe of monkeys
and all the capers around the v2 test stands at swinmunde or peenemunde or
whatever, pynchon does change the characteristics of his narratorial voice
to some extent), and, in fact, passages in gr (despite their occassional
complete obscurity) may very rarely be described as stream of consciousness.
damn. gotta run. i was gonna say that, in a similar vein as to how furphy
uses the structure (characterised by shifting voice) of his masterpiece to
reflect the then nascent concept of Democracy in Australia, pynchon uses the
sheer intricacy and obfuscatory textual modality of gr to reflect the
unfathomable complexity of Modern Technology (represented by the v2)and that
he's some sort of Jethro Tull figure...this is all really badly
articulated...i'll have more time soon...
jules
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