IG Farben & French Shakespeare.1&2

Terrance lycidas2 at earthlink.net
Tue Feb 27 22:40:55 CST 2001



MalignD at aol.com wrote:
> 
> I understand what you're asking and they're certainly fair questions.  I'm
> not sure I can answer them in the terms you lay out, but I won't try to dodge
> them.

Good, I would not want to you to be restricted by my terms,
my examples, my analogies and so on. I appreciate the
reply.   I won't try to dodge your questions either. Now
that I understand your position better I can provide answers
to all your questions. 



I'm sorry I can't discuss Faulkner just now.  I think there
are few
folks on this list that would love to discuss one of his
books. I would be willing to do so if we could stick to one
book at a time, perhaps another time...a while back I read
some of Nabokov's lectures, but again I'm not prepared to
discuss them...I will try to stick to GR. That seems to be
your interest here. 

This is an interesting essay, not entirely unrelated to
questions aesthetic, political, sexual....Joyce I
can discuss until the moo cows come home. 



"I am the servant of two masters, Stephen said, an English
and an Italian. " 


The woman of the Ballyhoura Hills: James Joyce and the
politics of creativity.(character in Joyce's book 'A
Portrait of the Artist as a Young Man')


http://www.findarticles.com/cf_0/m0403/4_44/54370326/p1/article.jhtml?term=



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