hope happily ever after
Doug Millison
millison at online-journalist.com
Sun Jul 1 00:53:09 CDT 2001
"Pynchon, old romantic that he seems to be, always has to engineer at least
one "happily ever after"; and though there are darker overtones to the
reconciliation between Pappy and Paola, there is indeed hope."
http://www.visi.com/~contra_m/cm/features/cm15_borges.html
"There exists a tendency among secular literary critics today to
uncover and reveal a humanistic vision behind even the most
apparently Judeo-Christian literary works and their authors. In
criticism of early American literature, witness the majority opinion
that Puritan Anne Bradstreet grew beyond the allegedly narrow-minded
religious focus that characterizes her early poetry, advancing in her
later poems (published posthumously) to more earthly, personal
concerns; the latter poems, of
course, are viewed as by far Bradstreet's best poems, according to
most purveyors of this assessment). In more recent literature of the
Americas, writers such as Emily Dickinson, or the twentieth-century
Argentinian short-story writer Jorge Luis Borges, display throughout
their bodies of work an ostensible interest in and search for
spiritual truth; however, to describe what such writers do, with such
terminology, seems to make the average secular critic uncomfortable,
as it also might his or her secular audience. So instead, Dickinson,
Borges, and other writers display a fascination with eternity, or
some similarly safe, de-Christianized euphemism for what the writer
really displays. Secular literary critics of twentieth-century
literature seem consciously reluctant to admit that a modern writer
such as Borges is searching for Christ, much less making anything as
certain as a statement, much less a statement of truth."
Interesting article. Thanks for the pointer, Dave.
--
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