COLGR49: Inverarity
calbert at hslboxmaster.com
calbert at hslboxmaster.com
Mon Jul 30 21:09:47 CDT 2001
Can't remember where it came up, but "Pierce" is possibly a
reference to the Cambridge pragmatist Charles Sanders Peirce
"Charles Sanders Peirce -- the family name was
earlier spelled "Pers" and thus is pronounced like
"purse" -- was an American philosopher,
scientist, and humanist. An intellectual figure of
extraordinary power and accomplishment,
Peirce was -- among many other things -- the
primary founder of the distinctively American
philosophical tradition called "pragmatism" and a
mentor of the other founding figures, such as
William James, John Dewey, and Josiah Royce.
Some other of many figures associated in one
way and another with this tradition are G. H.
Mead, C.I. Lewis, Justus Buchler, Richard Rorty,
and Hilary Putnam.
Peirce is also the primary
source of the contemporary
philosophical conception of
"semiotic" as a general theory of
representation and
interpretation. As developed by
Peirce, semiotic is a
phenomenologically based and
highly generalized critical theory -- a logic with
application beyond the traditional domain to
which logic in the ordinary sense is restricted --
and can also be understood to be a general
theory of interpretation which provides
analytical instruments applicable to
representation and significance of every sort
with no privileging of distinctively linguistic
conceptions. Peirce's semiotic is primarily
oriented toward communication rather than
language, and is distinct from the semiotics
(originally called "semiologie" or "semiology")
developed by extrapolation from the linguistics
of Ferdinand de Saussure. Umberto Eco is a
well-known semiotic theorist and analyst as well
as novelist whose work reflects both traditions,
and Roman Jakobson is one of a number of
influential linguists who have attempted to
broaden the conception of linguistics as a science
by incorporating aspects of Peirce's
communicational conceptions. Peirce's semiotic
is much broader in conception and possible
application than these comparisons might tend
to suggest, though. "
more @ http://www.door.net/arisbe/whoiscsp/whoiscsp.htm
anyone who survived reading my posts on Chauncey Wright should
note that Peirce and Wright were part of the same circle......
love,
cfa
> In _A Companion to The Crying of Lot 49_, J. Kerry Grant states the
> following:
>
> " . . . Mac Adam claims that Inverarity represents the artist. 'His
> given name, Pierce . . . evok[es] the phallic stylus violating the
> white purity of the page, while his last name, Inverarity, hints at
> such concepts as inveracity and inversion, the illusory or lying
> aspects of writing'" (Grant, p. 8).
>
> Given the story of Joyce's Stephen D and his search for a true
> aethetic, and Pynchon's Oedipa and her search for truth amid webs of
> deceit, I find these comments interesting.
>
>
> > The name "Inverarity" also appears in James Joyce's _A Portrait of
> > the Artist as a Young Man_:
> >
> > "The pages of his timeworn Horace never felt cold to the touch even
> > when his own fingers were cold: they were human pages: and fifty
> > years before they had been turned by the human fingers of John
> > Duncan Inverarity and by his brother, William Malcolm Inverarity.
> > Yes, those were noble names on the dusky flyleaf . . ." (Viking
> > edition, p. 179).
> >
> > This passage comes toward the beginning of the final chapter, in
> > which we now see Stephen as an erudite, albeit slightly arrogant,
> > young man who is about to discuss his theory of aesthetics with the
> > Dean.
> >
>
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