Thoroughly postmodern Pynchon
jbor
jbor at bigpond.com
Wed Jun 27 17:47:30 CDT 2001
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>
> Only if you start with the assumption that one word in a given text =
> infinite number of signifiers. If that's how it's defined, no problem. The
> definition that was offered earlier, "the signifier, to
> put it simply, is the word, and the signified is the thing or idea it
> represents" seems to say something different.
Actually, the "definition that was offered earlier" said the following:
Signifiers needn't be confined to words; they can include any
system of representation, including drawings, traffic lights, body
language, and so on.
http://www.andromeda.rutgers.edu/~jlynch/Terms/signifier.html
So with "V" in Pynchon's novel:
As spread thighs are to the libertine, flights of migratory birds to
the ornithologist, the working part of his tool bit to the production
machinist, so was the letter V to young Stencil. (61)
V. by this time was a remarkably scattered concept. (389.6)
And so on. Which is Collado-Rodrigueza's comment in his very astute essay:
... the story, whose main
aim is the quest for the lady V., finally dissolves in a never-ending
chain of signifiers that always escapes an ultimate categorical meaning.
http://www.law.utexas.edu/lpop/etext/okla/collado24.htm
best
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