pynchon-l-digest V2 #1686
Doug Millison
millison at online-journalist.com
Thu Mar 1 20:10:03 CST 2001
ourj:
>If two historians disagree about what happened, or about why it happened,
>then *at least* one of them is writing something which might also be called
>"fiction", isn't she?
Bogus dichotomy. The two historians provide differing views of the
event, each of which will offer some admixture of accuracy and
misperception or fabrication due to perspective, cultural
conditioning, brain chemistry, wishful thinking, criminal intent, or
many other possible factors. Check out Kurosawa's film, Rashomon,
for a classic exposition of the underlying phenomenon.
Doesn't the postmodern view build on the ability to hold and honor
multiple perspectives simultaneously?
Setting one historian against another, as rj would have us do here,
and accusing one of writing "fiction" would also seem to replicate
that We/They dichotomy that Pynchon eloquently shows to be the root
of much evil, so to speak -- Bersani's essay on paranoia in Pynchon's
work is worth reading in this regard. It would also seem to creep
towards the perpetuatation of the sort of "persecution and hatred"
that he was raving about the other day with regard to those poor,
persecuted war criminals and the corporations that profited from
their crimes and the poor little rich boy Bush Jr., or at the very
least perpetuate a nasty kind of name-calling that's hardly the soul
of genteel academic debate.
On another subject, still wondering if, as you said the other day,
Pynchon renders justice to Major Marvy as some sort of representative
of post-War America -- which is, of course, one of the ways that
Hollander reads Pynchon, for which you have excoriated him soundly in
this forum on many occasions, for linking characters and situations
in Pynchon's novels to people and situations in the "real" world of
history and politics without textual justification that meets your
standards -- isn't Pynchon doing the same to Blicero/Weissmann as a
representative of pre- and WWII-era Nazi German in his portrayal of
him as a monster, diseased, predatory, in love with death?
--
d o u g m i l l i s o n <http://www.online-journalist.com>
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