"crystal palace"
Thomas Morrison
weneedabiggerboat at hotmail.com
Sun May 6 09:07:12 CDT 2001
Historical references aside, couldn't it be that P. is also metaphorically
alluding to (describing) his own novel here? The novel is a fragile thing
that exists in a delicate balance, and is nearly impossible to get a fix on.
Much like (I imagine) an actual crystal palace would be, the thing looks
different depending on where you stand, and even the slightest shift can
cause a distortion, or change in perspective. Quite literally, it is nearly
impossible to focus on. Later on the page P. mentions the "progressive
knotting into" that critics always latch onto to conveniently describe the
novel. I see these images as a somewhat accurate description of the novel
ahead. And consider Prentice's fear as well: "he's afraid of the way the
glass will fall--soon--it will all be a spectacle [...] But coming down in
total blackout, without one glint of light, only great invisible crashing."
Isn't this fear *our* fear in a way? Trying to make sense of this monster
and it's elaborate structure, we fear that will all soon come crashing down
around us and we will be left in total darkness. Also, this opening image is
quite suggestive of the final image in the movie house that never gets fully
played out. If the bomb were to actually hit, wouldn't this be the result?
It seems to me, more than anything else, the novel itself is the "crystal
palace."
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