MDMD2: The Learned English Dog
Dave Monroe
davidmmonroe at hotmail.com
Mon Oct 1 09:44:10 CDT 2001
"All at once, out of the Murk, a dozen mirror'd Lanthorns have leapt alight
together, as into their Glare now strolls a somewhat dishevel'd Norfolk
Terrier, with a raffish Gleam in its eye,--" (M&D, Ch. 3, p. 18)
Okay, the last (we ALL hope, I'm sure ...), but perhaps the most immediately
interesting set of excerpts from William Empson, The Structure of Complex
Words (Norfolk [!], CN: New Directions, 1951), Ch. 7, "The English Dog," pp.
158-74 ...
"It is the pastoral ideal, that there is a complete copy of the human world
among dogs....
http://www.stanford.edu/~bescoto/hume/dogs.jpg
http://www.wapers.com/misc/dogpoker/dogpoker1024.jpg
http://www.mit.edu/people/svalente/gif/poker.dogs.jpg
I think there are two elements in the thought behind this word, which can be
distinguished roughly as rationalist and humanist.
"The eighteenth-century rationalist limited very sharply the impulses or
shades of feeling he was prepared to foster--not merely Enthusiasm was cut
out but [a] kind of richness of language .... The feeling that the dog
blows the gaff on human nature somehow attached itself to the ambition of
the thinker to do the same, and this helped to make him cheerful and
goodhumoured. His view of our nature started from a solid rock-bottom, a
dog-nature, which his analysis would certainly not break in digging down to
it; this made him feel that the game was safe, and the field small enough to
be knowable. Whereas Shakespeare felt that 'there is no worst', and the
corresponding depths to him were fearful degrees of lunacy; 'fool' was his
earth-touching word, not 'dog'.
"... it is surprising that the eighteenth-century could make so much of
its more narrow material, could base so much poetry on a doggish
mock-heroic. It was the simplicity of this feeling, on the other hand,
which let them prune down so far towards rationalizing their emotional life
without killing the tree. But there was a danger of killing it. A
surprising number of great writers went mad, and most of them feared to;
indeed, the more you respect reason the more you must fear the irrational.
Thus another use was found for the Dog in the way it stood for the
Unconscious; for the source of the impulses that keep us sane, and may
mysteriously fail .... Its process of thought is a mystery, but the results
are homely and intelligible; it makes what we do not know about the roots of
our own minds seem cheerful and not alarming....
"The humanist application corresponds to the hearty use of these words,
as the rationalist one does to the patronizing use. Of course humanism was
a complicated affair ...; I am using it for something vaguely
anti-Christian.... The fundamental novelty was an idea that 'Man is no
longer an abortive deity, born in sin, necessarily incomplete in the world,
but the most triumphant of the animals'.... The essential here is that you
can start building yourself into a man, and not hate yourself, on the basis
of being that kind of animal; the trouble about Evolution was that one could
not feel the same way about monkeys." (pp. 168-70)
"The important point about the noble animal is that he is a deeply
reassuring animal to contemplate. The fact that he can be patronized as no
more than fundamental makes you think better of the race of man." (p. 173)
"... there is an obscure humor from the idea of the dog being sad too; he
seems gay, but no, he is always in a great mess. At bottom he feels the
sadness of the thing, just as we do. Perhaps there is a feeling that this
dog has the right Old Adam to build a New Man upon ...." (p. 174)
A complex word indeed, "dog." But wait, there's more ...
"It is surely a striking reflection that a great deal of the thought of a
man like Dr. Johnson ... were not carried on by the official verbal
machinery but on colloquial phrases .... You need to know, as well as the
serious opinions of a man in the society, how much weight he would allow,
when making a practical decision, to some odd little class of joke phrases,
such as excite, he would feel, sentiments obvious to any agreeable person,
and yet such as carry doctrines more really complex than the whole structure
of his official view of the world." (ibid.)
Well, that was rather more of a detour than I either expected or desired,
but I'm not so sure it was entirely a detour, either. A complex text, Mason
& Dixon; a complex author, Thomas Pynchon. Perhaps a handful of posts left,
inc. ones looking both backward and forward in the text. Maybe even to Ch.
4 ...
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