MDMD2: Mr. Bird
Dave Monroe
davidmmonroe at hotmail.com
Fri Sep 21 12:20:49 CDT 2001
"Despite what Re-assurances you might have had from Mr. Bird ..." (M&D, Ch.
2, p. 12)
"... and of course the Sector by your Mr. Bird ..." (M&D, Ch. 2, p. 13)
>From Silvio Bedini, "The Transit in the Tower: English Astronomical
Instruments in Colonial America," Annals of Science 54 (1997): pp.
161-96 ...
"Bird, who had become the mechanical coadjutator of the Astronomer Royal,
the Revd James Bradley, was recognized in the scientific world
as one of the eighteenth century's foremost English makers of precision
instruments. Born in Bishop Auckland in the county of Durham, Bird was
preparing for a career as a cloth-weaver when he happened to notice the
irregular division of clock dials in a clockmaker's shop. Turning his
attention to the art, he became an expert in dividing clock dials, and after
arriving in London in about 1740, established his own shop for dividing and
engraving dials. The instrument-maker Jonathan Sisson employed him for
dividing mathematical instruments, during which time Bird attracted the
attention of George Graham, who trained him in instrument-making, and whose
work he eventually surpassed. After receiving instruction from Graham, he
again worked for Sisson before establishing his own shop at 'At the Sea
Quadrant' in Court Gardens." (pp. 172-3)
>From Edwin Danson, Drawing the Line: How Mason and Dixon Surveyed the
Most Famous Border in America (New York: John Wiley & Sons, 2001), Ch.
6, "Mr. Bird's Contrivances," pp. 60-70 ...
"John Bird (1709-1776) had his instrument workshop at the sign of The Sea
Quadrant in Court Gardens, a small square at the end of a narrow alley
leading off the Strand. In the cramped building, whose roof timbers shook
whenever the nearby Saint Clement Danes rang, Bird had become famous for
making the finest scientific instruments. As a young man he had been
apprenticed to Jonathan Sisson and had also received instruction from the
celebrated clock and instrument maker George Graham.... invented the
revolutionary slow-motion tangent screw, a device that enabled readings of a
fraction of a second [of a degree] to be made." (pp. 61-2)
"... on sea trials in 1757 ... Captain (later Admiral) John Campbell aboard
the Royal George, the same vessel that twenty-five years later suffered a
spectacular capsize immortalized by the poet William Cowper ... used an
invention ... called a reflecting circle, to measure angular distances; he
found the instrument next to useless and reverted to his Hadley pattern
quadrant. At the end of the voyage, Campbell suggested to Dr. [James]
Bradley [the third Astronomer Royal (1673-1762)] a refinement to the
quadrant, one where the effective measuring arc was extended from 90 degrees
to 120 degrees. Bradley arranged for John Bird to build the new instrument,
which had a
radius of eighteen inches, and thus was born the first sextant, a seafarer's
instrument that remains to this day a mandatory navigation
aid on all ships." (p. 37-8)
"The instruments for the transit of Venus observations included a
12-inch Hadley quadrant made by John Bird ..." (p. 54)
I think this might be what Pynchon is referring to as "the Sector by your
Mr. Bird," perhaps (or perhaps not ..) confusing it with the more noteworthy
six-foot-radius zenith sector (...) Bird provided for the Line survey (see,
e.g., Danson, Drawing the Line, pp. 62-3). So Pynchon 1, Danson 1 so far?
But do see also ...
Hellmann, C. Doris. "John Bird (1709-1776): Mathematical
Instrument-Maker in the Strand." Isis 17 (1932): 127-53.
Mason and Dixon's T.O.V. expedition is only mentioned briefly at p. 138, and
no light is shed on what instruments of Bird's M & D might ultimately have
taken to the Cape with them, but Hellmann's essay should prove invaluable
once we get to the Line ...
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