Gould's Book of Fish
Richard Romeo
richardromeo at hotmail.com
Thu Apr 18 13:21:54 CDT 2002
I have to say this new novel by Richard Flanagan is quite interesting. I'll
post a summary. Beyond the story, the physical book itself is beautifully
packaged.
>From the Publisher
The most remarkable novel yet from the internationally acclaimed author of
Death of a River Guide and The Sound of One Hand Clapping, Gould's Book of
Fish is a marvelous historical epic of nineteenth-century Australia, a world
of convicts and colonists, thieves and catamites, whose bloody history is
recorded in a very unusual taxonomy of fish. It is the kind of book that
comes along once in a very great while a book of breathtaking writing and
intellectual inquiry that stands out as one of the best novels of recent
years. William Buelow Gould was a forger and thief sentenced to life
imprisonment in a penal colony in Van Diemen's Land now Tasmania. After
six months he escaped and boarded a whaler for the Americas, but before long
his adventures landed him back in prison. The prison doctor Lempriere
utilized Gould's painting talents to create an illustrated taxonomy of the
country's exotic sea creatures, which Lempriere madly believed would ensure
his place in history and the Royal Society. Gould's book was then lost and
re-created, destroyed and hidden, and finally resurfaced in the present day,
littered with Gould's scrawls recording his unutterably strange life part
freewheeling picaresque, part Gothic horror and that of his country, a
penal colony, settlement, and magical space populated by generals,
visionaries, and madmen. This is an exquisitely produced book: each chapter
is printed in a different colored ink to re-create its narrator's writing
conditions, and each chapter opening will include a reproduction of the
original full-color artwork by William Gould. Reminiscent of the richness
and historical audacity of Jeanette Winterson's The Passion,Jim Crace's
Quarantine, and Thomas Pynchon's Mason and Dixon, Gould's Book of Fish is a
tour de force that interrogates the reliability of history and science, and
the substance of artistic creation.
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