A Journey into the Mind of [p.]
John Bailey
johnbonbailey at hotmail.com
Mon Aug 12 19:44:34 CDT 2002
Having viewed the Dubini film on the weekend, I thought I'd post my brief
impressions of it. I recall it was going to be shown on European TV (on Arte
maybe?) at the end of August; I don't know if this is still the case.
I attended the documentary's second screening in Melbourne (was O/S for the
first), on a chilly Saturday afternoon at one of the bigger cinemas around.
The session was surprisingly well attended considering the subject matter,
although I overheard a lot of people in the queue noting that they'd never
read anything by Pynchon, and many hadn't heard of him. In fact, one
post-screening comment made by a patron who was sitting behind me led me to
think that this person had thought the film was a mockumentary about a
fictionalised subject. I guess this is indicative of the sort of Film
Festival patron we get locally, willing to see anything.
A further note: unfortunately, the brief capsule review the film received in
that day's festival roundup was not kind. I won't post it but I was quite
surprised at this particular reviewer's dislike for the piece, though I
expect it was the more non-narrative elements he had a problem with.
In some ways I agree, as the film does seem to walk both sides of a
barbed-wire fence, and suffers as a result. One one side there's a strong
chronological structure employed, with the film broken up into five
segments, whilst on the other, there are long, rambling sequences of footage
which at times seem only vaguely relevant, such as the extended footage of
Mexico City, and the frequent return to Lee Harvey Oswald. If the piece had
gone further in either direction, I think it would have been improved. The
Residents' soundtrack is great, as well, but several key tunes get repeated
too often for my liking.
It seemed a film which presumed some knowledge of Pynchon, but not a huge
amount, which is a difficult stance. It really didn't give an impression of
his writing at all (Vineland, SL and non-fiction not even a mention) and
people I spoke to afterwards had no idea what his writing would be like,
except, perhaps, weird. This was also a problem as it removed any context or
motivation for some of the historical stuff shown, like the superb rocket
footage and all-too-brief images of Nordhausen. The more emotionally
impactful section depicting governmental LSD experimentation also seemed
only tentatively linked to Pynchon's novels, for those who hadn't read them,
and I found the cat on mescaline footage too much for this cat lover. At the
same time, I really enjoyed most of the investigative stuff with the
Pynchonite community, and some of the conspiracy theories are wildly
entertaining ('you know who' got a big laugh...)
I should point out that the P-in-Nazi-drag comment mentioned earlier on the
list is a misinterpretation, just for the record. Chrissie Wexler (whom I
thought very funny) describes him play-acting as if he were in Nazi Germany,
ie hiding in the back seat of the car etc, while in a separate section a
bookseller named Roland? I think? describes how he believes Pynchon dressed
up in drag once when visiting his bookshop, to ensure anonymity.
The footage of Pynchon's house and surrounds in California was very nice,
and was a perfect replica of the way I imagine the sections of Vineland set
in the 60s. The constant return to the rolling waves of the beach in the
background was an effective touch, and I suppose correlates to the footage
of Mexico City I mentioned earlier, and later footage of a hotel in New
York, but if the intention was to convey the surrounds in which P's books
were written, the point was probably overemphasised.
I also felt a little dirty by the end of the film, as the closing sections
focused more on the real P living in New York, and the quest to find him.
The repetition and scrutiny of the CNN footage brought echoes of
'pornographies of detection' to my mind, but I guess that was because the
preceeding eighty minutes had done well without the need for an image of the
guy.
Overall, I left with mixed reactions, but very glad I'd seen it, and more
appreciative now that a few days have passed.
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