antw. The Jewish "Nigger"
lorentzen-nicklaus
lorentzen-nicklaus at t-online.de
Thu Jul 11 05:14:27 CDT 2002
Bandwraith at aol.com schrieb:
> Apparently Gershom's bondage is a property of his negritude, and not
> his judaism. Although there were blacks who owned slaves, and jews who
> owned slaves during this period of colonial america, I don't recall hearing
> about any blacks who owned jews.
> Gershom is certainly given "the run of the house" by pynchon's parody
> of GW, which begs the question: is the fictional character "Gershom" given
> more
> freedom than might be expected, i.e., given deferential treatment, because
> of his jewishness? Does Gershom's secular jewishness, and the way he expresses
> it, somehow have an effect on Washington that wins for gersh special
> treatment?
> Or does Pynchon have something else in mind by making Gershom a jew?
if g&w do really allegorically represent the dialectics of master & slave in
the hegelian sense, pynchon - by making gershom a jew - perhaps wants to hint
at the enormous polycultural possibilities ("without elect, without preterite,
without even nationality to fuck it up...." gr:556) an ANARCHICAL american
revolution might offer ... in this context the close black-jewish
cooperation around the middle of the last century, which cornel west's essay
"on black-jewish relations" [1993] calls "inspiring" and "a major pillar of
american progressive politics", may be something pynchon had in mind, too.
"black anti-semitism and jewish antiblack racism are real, and both are as
profoundly american as cherry pie. there was no golden age in which blacks and
jews were free of tension and friction. yet there was a better age when the
common histories of oppression and degradation of both groups served as a
springboard for genuine empathy and principled alliances. since the late
sixties, black-jewish relations have reached a nadir. (...)
["jesse, you say 'common ground', does this include the p.l.o?" sang lou reed
in "good evening, mr. waldheim" in 1989 ... kfl]
the period of genuine empathy and principled alliances between jews and blacks
(1910-67) constitutes a major pillar of american progressive politics in this
century. these supportive links begin with w.e.d. dubois's 'the crisis' and
abraham cahan's 'jewish daily forward' and are seen clearly between jewish
leftists and a. philip randolph's numerous organizations, between elliot
cohen's 'commentary' and the early carreer of james baldwin, between prophets
like abraham joshua heschel and martin luther king, jr., or between the
disproportionately jewish students for a democratic society (sds)and the
student non-violent coordinating commitee (sncc). presently, this inspiring
period of black-jewish cooperation is often downplayed by blacks and
romanticized by jews. it is downplayed by blacks because they focus on the
astonishingly rapid entree of most jews into the middle and upper middle
classes during this brief period --- an entree that has spawned both and
intense conflict with the more slowly growing black middle class and a social
resentment from a quickly growing black impoverished class. jews, on the other
hand, tend to romanticize this period because their present status as upper
middle dogs and some top dogs in american society unsettles their historic
self-image as progressives with a compassion for the underdog."
--- cornel west: race matters (vintage edition, pp. 104, 106f) ---
kfl
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