NPPF - Nabokov & Time
Michael Joseph
mjoseph at rci.rutgers.edu
Thu Jul 24 10:33:23 CDT 2003
Very interesting, David. Thanks for keying in all of this. In Nabokov's
statement that our ideas of Time are "tainted by the idea of space, he is
quite clearly drawing upon Bergson's ideas in TIME AND FREE WILL, which
were also seminal in Eliade's dialectic of sacred time and history.
Perhaps you or others who know Nabokov studies better than I will be kind
enough to say whether this debt is generally noted. It does position
Nabokov at any rate to conceptualize time that could admit of
transcendence, a noted theme of Shade's.
VN's note about delighting "sensually" in the texture of time is
remniscent of Shade's revelation:
all at once it dawned on me that this
Was the real point, the contrapuntal theme;
Just this: not text, but texture. . . .
A comparison: Nabokov's valorization of the "folds" of time corresponds
closely to Shade's valorization of the music of time, sharing a perception
of inhering design. Both formulations assert a value to time vis-a-vis the
human characteristic of apprehending artistic coherence - one might even
say time is valorized because it serves as the medium through which
structure appears -- a very pagan idea.
Michael
On Wed, 23 Jul 2003, David Morris wrote:
>
> http://lib.ru/NABOKOW/Inter19.txt
>
> We can imagine all kinds of time, such as for example
> "applied time"-- time applied to events, which we measure by
> means of clocks and calendars; but those types of time are
> inevitably tainted by our notion of space, spatial succession,
> stretches and sections of space. When we speak of the "passage
> of time," we visualize an abstract river flowing through a
> generalized landscape. Applied time, measurable illusions of
> time, are useful for the purposes of historians or physicists,
> they do not interest me, and they did not interest my creature
> Van Veen in Part Four of my Ada.
> He and I in that book attempt to examine the essence of
> Time, not its lapse. Van mentions the possibility of being
> "an amateur of Time, an epicure of duration," of being able to
> delight sensually in the texture of time, "in its stuff and
> spread, in the fall of its folds, in the very impalpability of
> its grayish gauze, in the coolness of its continuum." He also
> is aware that "Time is a fluid medium for the culture of
> metaphors."
> Time, though akin to rhythm, is not simply rhythm, which
> would imply motion-- and Time does not move. Van's greatest
> discovery is his perception of Time as the dim hollow between
> two rhythmic beats, the narrow and bottomless silence
> between the beats, not the beats themselves, which only
> embar Time. In this sense human life is not a pulsating heart
> but the missed heartbeat.
>
>
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