the skrying of lot 49: holy epileptic w o r d
lorentzen-nicklaus
lorentzen-nicklaus at t-online.de
Sun Jun 29 08:06:52 CDT 2003
~~~ oedipa's quest is perhaps of metaphysical nature. the gloomy epiphanic
atmosphere in combination with the central reference to pentecost makes such a
reading possible. in chapter five oedipa wonders whether all the clues she
has managed to accumulate "were only some kind of compensation. to make up for
her having lost the direct, epileptic Word, the cry that might abolish the
night" (p. 81, picador). the cap is pynchon's, and this "word" with a capital
at the beginning is, very probably, not simply a profane term like 'zipper' or
'whirlpool' yet the authentic substantial LOGOS ( -- in greek philosophy,
take hera's clit, the basic reasonable structure of the world) which the gospel
of john identifies with the works and the incarnation of jesus the christ: "in
the beginning was the Word, and the Word was with God, and the Word was God ...
and the Word was made flesh, and dwelt among us (and we beheld his glory, the
glory as the only begotten of the Father), full of grace and truth" (John 1:
1/14). this may explain the messianic connotations of pynchon's 'the cry that
might abolish the night', a formulation that would sound pathetic if it was
meant to refer just to a profane epileptic seizure in the scientific sense.
note also that the attribute "direct" pynchon uses in this passage is standing
in contrast to the 'indirectness' of oedipa's search and the underground post
system she wants to decode. the motif of epilepsy is introduced in the chapter
before, couple of pages after the second posthorn: "she could, at this stage of
things, recognize signals like that, as the epileptic is said to - an odour,
colour, pure piercing grace note sounding his seizure. afterwards it's only
this signal, really dross, this secular announcement, and never what is
revealed during the attack, that he remembers" (p. 66). (this last statement
is, from a 'clinical' point of view, largely but not quite correct: in case of
so called 'focal seizures', that thunderstorm only some parts of the brain, the
'aura' immediately turns into the attack itself; during this process there's
usually some consciousness left and - i tell you this for sure! - one can
experience full size vision with purgatory, angels and all ...) in a certain
sense, epilepsy works in this text of pynchon, somehow like paranoia, as a holy
dis-ease ("hiera nosos") that is potentially enabling the sufferer to get
intoxicated by the LOGOS and, thus, take a look behind the curtain. in this
function epilepsy also appears in dostojewski's "idiot" [1868/9]: the
beginning of the spasm sometimes brings a moment where the mind of the seeker
is inflamed by divine light and this gives him, and then also the russian
people in general, the power to resist western capitalism. in some of the notes
relating to the novel dostojewski calls myskin the duke of christ ... a-and
doesn't describe chapter 2 of "the acts of the apostles" the whitsun outpouring
of the holy ghost as kinda collective epileptic seizure? "and when the day of
pentecost was fully come, they were all with one accord in one place./ and
suddenly there came a sound from heaven as of rushing mighty wind, and it
filled all the house where they were sitting./ and there appeared unto them
cloven tongues like as of fire, and it sat upon each of them./ and they were
all filled with the holy ghost, and began to speak with other tongues, as the
spirit gave them utterance". in voodoo they call this being ridden by the
spirit. note that the (necessarily a-social) speaking in tongues in embedded
in the christian community context under one and the same roof ('all with one
accord in one place'). and so the individual freedom through direct contact
with the holy ghost goes hand in hand with the collective community work.
between easter and whitsun the moon goes up and down 49 times: the crying does
not only aim at the american heritage yet also at the fate of modern christian
culture worldwide. on the level of society - and the novel's archaeology of
cali's midsixties underground makes is plausible that pynchon has special
interest in the "patchwork of minorities" (lyotard)- this might be the call for
a pluralistic (reform-socialist?) unification of the progressive forces. nice
try! you may say now, in his next novel pynchon's third sentence says that
"it is too late" and there you go ... however, norman o. brown, one of
pynchon's main sources when it comes to psycho-spiritual things, says in
chapter 15 of "love's body" [the back-translation from page 220 of the
german version is my own]: "in the freedom there's fusion. whitsun freedom,
whitsun fusion. speaking in tongues: many tongues, many meanings. the
babylonian confusion of speech gets counterbalanced by the pentecostal
amalgamation". the novel's last words, cyclically closing the text on a formal
level, remind the reader also of varo's girls "from cry to cry" (p. 12), of the
old man who's "crying again" (p. 87) and - you may understand this better now -
the butterfly's scream that might abolish the night ... on second sight CoL 49
is pynchon's most undetermined book ... messages are flying around everywhere:
it's up to you!
KFL +
ps. anybody for d. fowler's "epilepsy as metaphor in the crying of lot 49"?
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