TPPM Watts: the Gospel of Progress versus Watts the Real
Dave Monroe
monropolitan at yahoo.com
Sun Sep 26 17:22:18 CDT 2004
But also, on said Angelinian "unreality," cf. ...
"It was difficult even for us, old fans who've always
been at the movies (haven't we?) ..." (GR, p. 760)
That "Orpheus Theater" is ostensibly, at least, in
L.A., isn't it? Gravity's Rainbow as a sort of "white
fantasy"? "The screen is a dim page spread before us,
white and silent" (ibid.). "Fantasy"--and, esp.,
"white fantasy," up to and including those of
Weissmann, Blicero, Die Bleicher (bhel, blank)--as a
recurrent theme, word, even, all throughout GR ...
http://waste.org/mail/?list=pynchon-l&month=0105&msg=55316
http://waste.org/mail/?list=pynchon-l&month=0308&msg=84118
http://waste.org/mail/?list=pynchon-l&month=0409&msg=9325
http://waste.org/mail/?list=pynchon-l&month=0409&msg=93390
Okay, gotta run, but, thanks ...
--- Paul Mackin <paul.mackin at verizon.net> wrote:
>
> One notices early on the dichotomy drawn between
> the "real" Watts and "unreal" White L.A.
>
> "Watts lies impacted in the heart of this white
> fantasy. It is, by contrast, a pocket of bitter
> reality."
>
> Is the "unreality" of the whites mainly confined
> to the black perception. Is it also Pynchon's
> perception? ...
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