ATD Galley Timing (was Re: Questions ..)
davemarc
davemarc at panix.com
Mon Dec 18 13:16:53 CST 2006
I have to say I have my doubts about the ATD galleys coming later than those for any other Pynchon novel. Which isn't to say that diligent (and less diligent) reviewers wouldn't have an awful time grappling with ATD in time to review it around the on-sale date. Also, the "time of galley distribution vs. density of book factor" might be the worst so far.
Does anyone have any hard data on this? I might have a little, but I can't look for it now.
d.
----- Original Message -----
From: Mark Kohut
To: Tore Rye Andersen
Cc: pynchon-l at waste.org
Sent: Saturday, December 16, 2006 5:07 PM
Subject: Re: Questions ..
Tore Rye Andersen,
I work in publishing circles and learned this about ATD:. The galleys which reviewers get to read were much later to them than for any other Pynchon novel, it seems. Around a month or so before pub date and it is the longest novel as is known. Most galleys go to potential reviewers at least 3 months ahead of pub date, often more for "long lead' vehicles for important books.
So, reviews that will be the start of critical understanding of ATD have been fewer, perhaps, as you mention.
Mark
On 12/16/06, Tore Rye Andersen <torerye at hotmail.com > wrote:
Michel:
>Criticism is a dialogue. A review is a monologue.
>From an overlapping angle: A review is intended for those who have not read
a book, to assist them in deciding whether to do so.
A-and Monte:
>>Criticism is intended for those who have read it, to engage them in
>>dialogue
about what they found there.
>>Often enough, of course, reviews take the place of criticism for readers
>>who
seek not further enagagement but ready-made opinions of what they have read
(or even of what they haven't).
Yes, these would certainly seem to be the archetypes of reviews and
criticism, but the lines between the two are often quite fluid indeed. I've
often - far, far too often - read monological rants disguising themselves as
'criticism'; rants where the author of the article is more interested in
positioning him- or herself vis-a-vis certain predominant theories than in
actually trying to understand what the damn object of analysis is in fact
trying to say. Such poor excuses for criticism are in my opinion at least as
undiscriminating as the hastily typed review. In an ideal world, criticism
*is* a dialogue, but in reality criticism is all too often a series of
alternating monologues, where the authors aren't interested in what their
colleagues or their common topic have to say.
I will certainly also agree that reviews are mostly monologues/ready-made
opinions, but we shouldn't forget those brilliant reviews which *are* in
fact foundations for the criticism to follow. We haven't really seen any of
those reviews with AtD. Reviewers simply weren't given enough time with the
book, so the fault is as much Penguin Press' as the reviewers, IMO. There
have been some good, long reviews of the novel, notably by John Leonard and
Liesl Schillinger, but those reviews were mostly good because they were not
stupid, if that makes any sense: they got the gist of what the novel was
actually about and discussed a few imporatnt topics, but despite being
clever and well-written, I don't expect them to be foundations for future
criticism of AtD: The reviewers simply didn't have enough time to sit down
and map out a larger picture of AtD's position in Pynchon's oeuvre, or its
position in modern American literature.
Those kinds of reviews do exist, though, and we don't have to look far to
find them: Richard Poirier's review of GR in Saturday Review of the Arts,
published merely five days after GR, is an excellent example of a review
which set the tone for much of the early criticism of the novel. It is
really an astounding review, but as Gerald Howard wrote in his essay in Book
Forum, Poirier also had plenty of time to prepare it. Another brilliant
review is Louis Menand's review of M&D, which also seems to have influenced
much subesequent criticism. Both reviews demonstrate the once in a while
reviews really can be precursors for the later criticism - such reviews are
much too rare, though, and in the case of AtD so far unmaterialized.
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