Mick and Keith and Thomas
Joe Allonby
joeallonby at gmail.com
Sun Jul 30 14:32:08 CDT 2006
The song was "Carol". The irony is that most guitar players that cover that
one learned it from the "Get Yer YaYas Out" record, and Chuck knew it. He
was basically showing Keith who's boss.
On 7/30/06, David Casseres <david.casseres at gmail.com> wrote:
>
> I like Keith a lot, but have to agree that his greatest strength is
> not in his fingers. A few years back there was a good TV feature
> about Chuck Berry, and in one of the scenes he was hanging out with
> Keith, who was probably stoned. Chuck kept trying to teach Keith a
> lick that sounded very simple when Chuck played it, but Keith just
> could not get the rhythm of it. (And speaking of rock visionaries,
> Chuck Berry may have been the greatest of them all.)
>
> On 7/28/06, Joe Allonby <joeallonby at gmail.com> wrote:
> >
> >
> >
> > On 7/26/06, MalignD at aol.com <MalignD at aol.com> wrote:
> > >
> > >
> > > I can't see Keith as great outside the band he ended up in. His solo
> > efforts
> > > were forgetable and his guitar playing is terrific within the context
> of
> > the
> > > Stones but, more broadly, he's not particularly versatile. The Stones
> > always
> > > had two guitarists, always needed two guitarists, and I don't know any
> > > guitarist who thinks Keith was a better player than Mick Taylor,
> although,
> > in the
> > > Stones, he's clearly more important. I mean, I like Keith, but I
> don't
> > get your
> > > placing him on the rung you're placing him on.
> >
> >
> >
> > OK, here goes. During the slow demise of Brian Jones, Keith Richards was
> to
> > all intents and purposes the only guitarist in the Rolling Stones. He
> > credits this in an interview in Guitar Player in1977 with the
> development of
> > his open-tuned style.
> >
> > He started using alternate tunings in an attempt to recreate the
> fullness of
> > two guitars while only playing one, but without obvious studio trickery.
> Try
> > playing the intro to Happy while tuned D-G-D-G-B-D low to high. You'll
> need
> > a capo at the fifth fret. See how full that sounds, like more than one
> > guitar? Now listen to the song (or any of the others that I mentioned)
> and
> > listen to the arrangements. This is where the man's genius lies, not in
> how
> > fast he can blow riffs out of his fingers. He may be a drug addicted
> zombie
> > but he's a rock 'n' roll rhythm guitar virtuoso who knows how all of the
> > pieces fit together. He's not much of a dancer.
> >
> > Ironically, I've heard Keith Richards praise Prince for the same skills.
> >
> >
>
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