The first magenta and green? (was
jbor at bigpond.com
jbor at bigpond.com
Thu Jun 15 05:12:46 CDT 2006
On 15/06/2006:
> "There was a picture of the earth on the first page of his geography:
> a big ball in the middle of clouds. Fleming had a box of crayons and
> one night during free study he had coloured the earth green and the
> clouds maroon."
>
> p.15 James Joyce 'A Portrait of the Artist as a Young Man'
>
> also repeated in the 'brushes in Dante's press'
>
> -ben
In fact, it's Dante's colour-coded brushes for the two rival
politicians (Michael Davitt and Charles Parnell) which inspire
Stephen's colouring:
"It made him very tired to think that way. It made him feel his head
very big. He turned over the flyleaf and looked wearily at the green
round earth in the middle of the maroon clouds. He wondered which was
right, to be for the green or for the maroon, because Dante had ripped
the green velvet back off the brush that was for Parnell one day with
her scissors and had told him that Parnell was a bad man. He wondered
if they were arguing at home about that. That was called politics."
(Ch. 1)
I'm not persuaded that the recurrence of the magenta and green
combination (and variations thereof -- 16 occurrences by my count) in
Pynchon's novels post-GR has much at all to do with Joyce's allusions
to in-fighting in the Irish National Land League in the 1880s and the
revelation of Parnell's involvement with a married woman and his
subsequent fall from grace in the eyes of strict Irish Catholics.
Magenta isn't maroon or red, by the way. I don't think Pynchon ever
renders the combination as green & red. Maroon might pop up though.
Green and maroon (and grey) were my old school colours though. Perhaps
I'll start a Pynchonblog.
best
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