Bianca and the females V room
Joseph T
brook7 at sover.net
Fri Nov 10 09:47:02 CST 2006
Intriguing thread. I think Pynchon is always finding ways to connect
the personal to the cultural. The commercial and cultural
exploitation of sex are embedded in human history and it is
impossible to find complete purity or safety even in the most
admirable attempts to create protective zones of love, shared
idealism and human respect. What is saddest to me in the Bianca/
Slothrop affair is Slothrop's unwillingness to act on the protective
instinct which seems to be his deepest emotional response to Bianca.
I think she is drawn to TS because sees in him someone fleeing
exploitation, sexual abuse, power games. Bianca has the same needs
but is even more vulnerable. Bianca's most powerful tool to get the
protection she needs from a sympathetic and sufficiently powerful
adult like Slothrop would be words, honesty, but she has been taught
to think of powerful people in terms of their sexual needs, and to
think of her survival in terms of meeting those needs. In some ways
Slothrops resistance fails because it fails to expand to connect with
others as the need and opportunity comes.
It's iffy to equate protected female youthfulness with innocence.
The Vroom sisters in M&D were protected from hardships by slaves,
their "protected" environment was directly related to their
willingness to exploit both slaves and visiting white men. The
security they got from being the family(posession) of the rich white
slaveowner was as dull as their food. The insecurity of the free
blacks, malays and mixed race folk was characterized by a more joyful
sensuality symbolized by their exotic spicy diverse foods.
In GR most movements toward the classic forms of love- friendship,
family, community(national, tribal), romantic -are failing
tragically, because they are being expertly exploited and and
subverted by the comforts of power and privelege associated with
technology and by the individuals internalization of of unhealthy
social models. Sex will always be the wild card, but in GR its'
tragic failures to lead toward more enduring forms of love is made
particularly palpable in the destruction of Bianca and the Pokler
child whose name I forget.
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