100 arabian nights and 1night
Ya Sam
takoitov at hotmail.com
Fri Sep 22 10:13:38 CDT 2006
>
> Barth is the classicist/formalist to Pynchon's romantic/baroque.
>
>
Interesting point. The terms are tricky however. I would say that the
language of the Sot-Weed Factor is baroque, of course not meaning it as a
literary style (there is a good immitation of the baroque style in Eco's The
Island of the Day Before) but meaning the sheer exuberance of his prose,
which is kind of a cliche these days: 'he/she writes a baroque prose'.
Perhaps you meant something different. Could I ask you to explain a bit this
dichotomy? (I am dead serious, not trying to pick on you or something).
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