Deflating Hyperspace
robinlandseadel at comcast.net
robinlandseadel at comcast.net
Tue Apr 3 02:12:24 CDT 2007
D'oh!
Frankly, I really feel like Miles now, tripping over something that
should be obvious, but it was so ubiquitious, as if it were merely
the local atmosphere, or a trick of the light. . . .
Einstein's law of the photo-electrical effect
has been extremely rigorously tested by
the American Millikan and his pupils and
passed the test brilliantly. Owing to these
studies by Einstein the quantum theory has
been perfected to a high degree and an
extensive literature grew up in this field
whereby the extraordinary value of this
theory was proved. Einstein's law has
become the basis of quantitative
photo-chemistry in the same way as
Faraday's law is the basis of
electro-chemistry.**
http://nobelprize.org/nobel_prizes/physics/laureates/1921/einstein-bio.html
There was a "Ray-rush" in progress---light and magnetism,
as well as all manner of extra-Hertzian rays, were there
for the taking, and prospectors had come flooding in, many
of them professional claim-jumpers aiming to get by on
brute force, a very few genuinely able to dowse for rays of
all frequencies. most neither gifted nor unscrupulous,
simply caught up in everybody else's single-minded flight
from reason, diseased as the gold and silver seekers of
earlier days. Here at the high edge of the atmosphere was
the next untamed frontier, pioneers arriving in airships
instead of wagons, setting in motion property disputes
destined to last generations. AtD 121
Like weather and internationally traded goods, radio
propagation and RF technology do not stop at national
boundaries. Giving technical and economic reasons,
governments have sought to harmonise spectrum
allocation standards.
A number of forums and standards bodies work on
standards for frequency allocation, including:
ITU
CEPT
ETSI
International Special Committee on Radio Interference
High-demand sections of the electromagnetic spectrum
may sometimes be allocated through auctions.
http://en.wikipedia.org/wiki/Frequency_allocation
And you've just gotta look at this official frequency allocation chart:
http://www.ntia.doc.gov/osmhome/allochrt.pdf
The modern concept of the photon was developed gradually (1905–17) by Albert
Einstein[3][4][5][6] to explain experimental observations that did not fit the
classical wave model of light. In particular, the photon model accounted for the
frequency dependence of light's energy, and explained the ability of matter and
radiation to be in thermal equilibrium. Other physicists sought to explain these
anomalous observations by semiclassical models, in which light is still
described by Maxwell's equations but the material objects that emit and absorb
light are quantized. Although these semiclassical models contributed to the
development of quantum mechanics, further experiments proved Einstein's
hypothesis that light itself is quantized; the quanta of light are photons.
http://en.wikipedia.org/wiki/Photon
In modern physics, the photon is the elementary particle responsible for
electromagnetic phenomena. It mediates electromagnetic interactions and makes up
all forms of light. The photon has zero invariant mass and travels at the
constant speed c, the speed of light in empty space. However, in the presence of
matter, a photon can be absorbed, transferring energy and momentum proportional
to its frequency. Like all quanta, the photon has both wave and particle
properties, exhibiting wave–particle duality.
http://www.answers.com/topic/photon-2
photon
In some ways, visible light behaves like a wave phenomenon, but in other
respects it acts like a stream of high-speed, submicroscopic particles. Isaac
Newton was one of the first scientists to theorize that light consists of
particles.
Modern physicists have demonstrated that the energy in any electromagnetic field
is made up of discrete packets. The term photon (meaning "visible-light
particle") has been coined for these energy packets. Particle-like behavior is
not restricted to the visible-light portion of the electromagnetic radiation
spectrum, however. Radio waves, infrared rays, visible light, ultraviolet rays,
X rays, and gamma rays all consist of photons, each of which contains a
particular amount of energy that depends on the wavelength.
http://whatis.techtarget.com/definition/0,,sid9_gci214455,00.html
(The following is an older posting )
After finding this official frequency allocation chart:
http://www.ntia.doc.gov/osmhome/allochrt.pdf
I started to think of the various charts and graphs that correlate
color to frequency, though not in the one-for-one correlation
of the actual frequency (bandwidth?) of the color, but assigning
that color to a different frequency, and wondering what sorts of
things I'd find if I googled "Light over Ranges", which led in a
rather direct fashion to:
Abstract. A method is described for obtaining the
azimuth and ellipticity of polychromatic elliptically
polarised light as a function of wavelength, without
the need for wavelength scanning. Elliptically
polarised light with calculable polarisation was
generated using a birefringent plate or a twisted
nematic liquid crystal cell, and measurements of the
azimuth and ellipticity of the light were made using
the method. Good agreement with the calculated
values was found, thus demonstrating the correctness
of the technique.
http://www.iop.org/EJ/abstract/0022-3735/20/7/012
Although I lack the technical know-how to decipher this abstract,
its clear that there's many technical terms and concepts in this
abstract that correlate to AtD. Looking further there's:
The dielectric omnidirectional reflector consists of
multilayer films, and has potential applications in
solar and thermoelectric power sources and laser
microcavities. . . .
. . . .The MIT reflector, described in Science, vol 282,
p1679, was constructed as a stack of nine alternating
layers of polystyrene and tellurium, and demonstrates
omnidirectional reflection over the wavelength range
from 10 to 15 micro m. Because the omnidirectionality
criterion is general, it can be used to design reflectors
in many frequency ranges.
http://findarticles.com/p/articles/mi_m0WVI/is_1999_Jan_11/ai_53570468
Just thinking how this ties to "Gravity's Rainbow", remembering
the periodic table of the elements from my 7th/8th grade science
class. I'd look at that periodic table, noting that many of these tables
were (like Slothrop's map of amourous conquests in London)
color-coded:
http://www.webelements.com/
http://tinyurl.com/2h3v96
And, of course, the era of AtD is, among other things, is the time
when scientists started to think of matter and light in describable,
predictable, calculable terms, as a range of frequencies.
John Carvill:
. . . .there's a lot of photography in ATD, what with Merle
and all, and photography is one of many ways into one
of those nodal points where a load of thematic strands
come together in a thick little knot. Where would you
even start with trying to untangle it?
Note that the book moves from Chicago's Columbian Exposition of
1893 to Hollywood in the early twenties. In between we are given
demonstrations of the alchemy of silver, as explosives (base
matter into light) as photography (from light back into base
matter) and eventually as moving pictures---Movies beginning
the technological cycles that evolves (devolves?) into TV. The
book ends with the first glimmers of TV. These are themes explored
with a curious blend of nonchalance and detail in Vineland.
John Carvill:
In my initial reading of ATD, while I hugely enjoyed
the first part, 'The Light Over the Ranges', and in fact
reckon that part alone could stand as a rebuke to all
the short-sighted negative reviews, I did wonder
about the lightness of tone, and thought there was
a certain Pynchon quality missing (there wasn't, but
I only realised that later), which if pushed I'd have
described as 'strangeness'.
At the same time, that "lightness of tone" pervades Vineland. There
is much in AtD that stands as a rebuke to Vineland's critical
non-reception, as the two novels share a tremendous number of
concerns, in particular depicting dark places being bathed in light. . . .
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