Webb Traverse, AtDTDA (7) 186. 1-19
robinlandseadel at comcast.net
robinlandseadel at comcast.net
Tue Apr 17 09:14:10 CDT 2007
Chris Broderick :
What I'm curious about is the linguistic freight of
the term 'Jeshimon'. It just strikes me as a nice
piece of pseudo-biblical westernism, but I confess
ignorance. I'll admit that the whole section made me
think of Cormac McCarthy, particularly the parallel
between the governor in AtD, and the judge in Blood
Meridian. For what that's worth.
Well, 'Jeshimon' means "The Waste", which sure got the beavers
of my brain pumping
http://www.christiananswers.net/dictionary/jeshimon.html
So yesterday, I picked up a copy of "The Waste Land" by T.S. Eliot:
. . . . What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust. . . .
http://world.std.com/~raparker/exploring/thewasteland/table/explore5.html
While that might seem a stretch, considering the following:
"Apparently I felt I had to put on a whole extra
overlay of rain images and references to
"The Waste Land" and "A Farewell to Arms".
I was operating on the motto "Make it literary,"
a piece of bad advice I made up all by myself
and then took." Slow Learner 4
. . . .and. . . .
". . . .The next story I wrote was "The Crying of
Lot 49," which was marketed as a "novel," and
in which I seem to have forgotten most of what
I thought I'd learned up till then." Slow Learner 22
I'm going to hazard a guess that "The Waste Land" was on Pynchon's
mind when he came up with W.A.S.T.E.
I'm sure the author is aware of the nature of his audience, is aware of
readings that might be called "overdetermined", though "paranoid" is
closer to the mark as far as I'm concerned. The time and the place of
the setting of "Jeshimon" fits as regards "The Waste Land" and
W.A.S.T.E.
Note also, from "The Waste Land":
Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.
So "The Hanged Man" is not in this reading---which is all the weirder for having
cards not found in the Rider-Waite deck.
"The Wheel" is most likely the wheel of fortune. . . .
http://www.starbridge.com.au/images/opt/big/La-Rone-du-Fortune-The-Whee.jpg
. . . .and the man with three staves the three of wands.
http://www.astrologysoftware.com/tarot/decks/waite/Wand03-b.jpg
I don't know when Pynchon began his interest in Tarot cards, though
"Low-Lands" has "The old woman with the eye patch who is called
Violetta read my fortune many years ago. . . ."
But now, I'm sure that Pynchon could give as good a "cold" reading as
any scryer of the Tarot. He seems to know about as much as any reader
concerning this "strange, though not all that strange, set of cards".
Here's A. E. Waite's reading of "the Hanged Man:
XII
The Hanged Man
The gallows from which he is suspended forms a
Tau cross, while the figure---from the position of
the legs---forms a fylfot cross. There is a nimbus
about the head of the seeming martyr. It should
be noted (1) that the tree of sacrifice is living
wood, with leaves thereon; (2) that the face
expresses deep entrancement, not suffering;
(3) that the figure, as a whole, suggests life in
suspension, but life and not death. It is a card
of profound significance, but all the significance
is veiled. One of his editors suggests that Eliphas
Levi did not know the meaning, which is
unquestionable---nor did the editor himself. It has
been called falsely a card of martyrdom, a card of
prudence, a card of the Great Work, a card of
duty; but we may exhaust all published
interpretations and find only vanity. I will say very
simply on my own part that it expresses the
relation, in one of its aspects, between the Divine
and the Universe.
He who can understand that the story of his higher
nature is embedded in this symbolism will receive
intimations concerning a great awakening that is
possible, and will know that after the sacred Mystery
of Death there is a glorious Mystery of Resurrection.
A.E. Waite:
The Pictorial Key to the Tarot
pg 58
A number of "readers and advisors" have told me that the "Veiled Meaning"
of Atu XII is of Odin. Odin recieves a very kabbalistic sort of knowledge while
seeming to be in a state of martyrdom. Odin slips from the knot that ties him
to "the tree of Life", Yggdrasil, but while suspended from that tree receives
knowledge of the runes, the first Norse language in written form.
http://www.theosociety.org/pasadena/odin/odin-2.htm
another "Tree of Life":
http://tinyurl.com/27egzj
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