ATDTDA (3) Dynamitic mania, 80-86
Tore Rye Andersen
torerye at hotmail.com
Tue Feb 27 13:27:55 CST 2007
Paul Mackin wrote:
>Not to be too contrary but I don't think it's quite correct to think of
>either the writer or the reader of a work of fiction like AtD as
>"agreeing" or "disagreeing" with the actions of a particular character in
>the story. We're not IN the story ourselves. Let the other story
>characters agree or disagree if they want to.
Call me old-fashioned, call me naive, but I'll reserve the right to
"disagree" - no, scratch those quotation marks, to disagree, plain and
simple - with any character who blows a trainload of other characters to
smithereens. Sure, they're just inkmarks on paper, and we're not IN the
story ourselves, but part of the pleasure and challenge of reading fiction -
for me at least - is achieving that willing suspension of disbelief where
the moral questions posed by a novel like AtD seem urgent and real, rather
than just a jumble of words. IMO, much of the pleasure of reading Pynchon is
that his fiction is so rich with those rare moments where - to quote GR -
"words are only an eye-twitch away from the things they stand for" (100);
where the "pencil words on your page [are] only delta-t from the things they
stand for" (510).
And, for what it's worth, in long and confusing works such as GR, M&D and
AtD, I think Pynchon very deliberately tries to drag the reader into the
constructed world of the book. By immersing the reader in a complexity and
confusion similar to the one the characters have to live through, or at
least a textual equivalent of such complexity and confusion, Pynchon
attempts to place the reader in much the same circumstances as his
characters, inviting him or her to face some of the same moral quandaries
(or to face some of the moral quandaries that his characters too often
ignore). And I'd much rather be down in the mud with preterite Slothrop or
Mason or Dixon or Frank, than aloof with The Chums of Chance or more
sophisticated readers who have to view the doings below twice removed.
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