Back to the Future
robinlandseadel at comcast.net
robinlandseadel at comcast.net
Sun Nov 25 16:43:36 CST 2007
Paul Mackin:
Let me ask this question.
Other than name identification what
persuasive reason would author
Pynchon have for being so obsessed
by the downfall of a Wall Street
brokerage firm (who for all we know
might have been a bunch of cheating
scoundrels) that he would let it direct
his writing? It's not as if P's own family
fortunes had been compromised in
any way. George M. Pynchon (head
of P and company) wasn't a close
relative. Does anyone know what kind
of cousin he actually was. Third,
Fourth, Fifth?
At a certain point we're all related.
Of course, nothing is inconceivable.
Joyce wasn't that closely related
to Odysseus and Penelope either.
I suppose what I'm pointing to when I mention 'Pynchon & Company' has
two rather distinct meanings. One is the Wall Street firm that developed
out of Raymond, Pynchon & Company. The other is the larger East-Coast
'blue-blood' clan and their associates. I don't really know why
the author chooses the larger story of his family as the 'spine' of work.
And I don't really need to. All I really need to do is show just how many
of these things we've been reading all these years reflect back on the
author's genealogy. Because William and John and Edwin and George M.
and another Thomas Ruggles, and another William and another John and
a Susan---what they were doing way back lands in the author's books.
Why? That's speculation. But it happened, those fingerprints are all over
the novels.
If I were to indulge in wild spectulation I'd look high, not low, and
read the those Tarot cards for Whiteman. I'd be looking at the so
called 'Intelligence' agencies and how they got established. But that
would be speculation. William Slothrop's 'On Preterition' is not
speculation. William Slothrop's 'On Preterition' is a parody version
of William Pynchon's "The Meritorious Price of Christ's Redemption."
http://tinyurl.com/ynsgyw
Because 'The Meritorious Price of Christ's Redemption' is the first
book banned and burned in Boston, somebody ought to find the
subject interesting. If only for the alliteration. Alliteration is always
a safe subject in Pynchonalia, eh? And comma counts, for Gawd's
sake let's not look for content or political discourse in these satires,
that'll just fubar traffic flow on the p-list. Hey, even if's it's kinda
interesting that a book that's nominally about World War Two
happens to pile on the references to Hollywood and film, or the
next book's obsessed with Hollywood and film, no reason to ask
if something in the Pynchon family history might have anything to
do with the movies. My bad.
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