CoL 49 Pynchonwiki
robinlandseadel at comcast.net
robinlandseadel at comcast.net
Fri Nov 30 11:22:14 CST 2007
Mike Beiderbecke:
Well,
To quibble just a bit, if you are going to mention that
'crying' is how auctioneers sell things, you should also
add that a 'lot' is the batch of things they are selling
at one particular time, and that they are numbered.
You will be glad to know that I amplified on that, as per your instructions.. I
also mentioned the 'Biblical Lot', ya know--sodom, gomorrah, usw. . . .
Then go on to emotions, acreage, and numerology.It is a
phrase after all. The auctioning of the things in a batch number.
And while a case might be made, I can't see really see it as
referring to the weeping about land the day before Pentecost.
Nag nag nag,
. . . .Ah, but that isn't even close to the punchline. Stearns, as in the
Puritan Stearns of Salem, Ma., as in Pynchon v. Stearns, as in
Thomas Stearns Eliot, as in 'The Waste Land'
Here's a reposting of something I cooked up yesterday:
"The Small Rain" was my first publshed story. A friend
who'd been away in the army the same two years I'd
been in the navy supplied the details. The hurricane
really happened, and my friend's Signal Corps
detachment had the mission described in the story.
Most of what I dislike about my writing is present
here in embryo, as well as in more advanced forms.
I failed to recognize, just for openers, that the main
character's problem was real and interesting enough
to generate a story on its own. Apparently I felt I had
to put on a whole extra overlay of rain images and
references to "The Waste Land" and A Farewell to
Arms. I was operating on the motto "Make it literary," *
a piece of bad advice I made up all by myself and
then took.
Slow Learner, pg. 4
'. . . .The next story I wrote was "The Crying of Lot 49,"
which was marketed as a "novel." and in which I seem to
have forgotten most of what I thought I'd learned up until then.
Slow Learner, pg. 22
. . . .that is to say, an extra helping of 'Make it Literary' [me, I like the
effect, call me callow], in particular the generation of a web of references
that lean as heavily as possible on the poem, concept and reality of
'The Waste Land,' and how that became our collective inheritance.
There's a Jeremaid lurking in that lot of stamps, another sermon on
what we lost. That 'Intricate Puzzle with a decidedly European flavor'
is a puzzle that centers on "The Waste Land' and more than a little
bit of family history. Posponed Revelation floats over the final mix-down of
the novel like Roky Erickson's voice in 'You're Gonna Miss Me'.
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