NP: Hugo von Hofmannsthal - Ein Brief
Glenn Scheper
glenn_scheper at earthlink.net
Mon Oct 1 05:14:32 CDT 2007
I think this unusual author may interest P readers.
To me, then, it is as though my body consists of nought but ciphers which give
me the key to everything; or as if we could enter into a new and hopeful
relationship with the whole of existence if only we began to think with the
heart. - Hugo von Hofmannsthal, "The Letter of Lord Chandos"
-- http://www.artcritical.com/stone-richards/MSRwollheim.htm
m stone-richards tribute to richard wollheim
In his poetry Hofmannsthal used three major metaphors for life: the dream, the
game, the drama. He viewed the poet as a synthesis of man the dreamer, man the
actor, and man the gameplayer.
Hofmannsthal's most famous essay was EIN BRIEF (1905), a fictive letter of
Philip, Lord Chandos, the younger son of the Earl of Bath, to Lord Francis Bacon
(1561-1626), the English statesman, historian, and philosopher. Chandos
confesses a major philosophical crisis. "I found it impossible to express an
opinion on the affairs at Court, the events in Parliament, or whatever you
wish." He has lost completely the ability to understand the meaning of the words
and to think or to speak of anything coherently. Subsequently all social and
cultural constructs are called into doubt. "The nature of our epoch," he wrote,
"is multiplicity and indeterminacy." What other generations believed to be firm,
he considered das Gleitende (the slipping, the sliding).
-- http://www.kirjasto.sci.fi/hugohof.htm
Hugo von Hofmannsthal
This letter reflects the growing distrust of and dissatisfaction with language
that so characterizes the Modern era, and Chandos's dissolving personality is
not only individual but societal.
-- http://en.wikipedia.org/wiki/Hugo_von_Hofmannsthal
Hugo von Hofmannsthal - Wikipedia, the free encyclopedia
This little book is rather difficult to review, for any number of reasons, not
the least of which being that what are called the "stories" herein are not
really stories at all in the common sense of the word but rather haunting,
oneiric vignettes which end as abruptly as they begin - To call them
impressionistic would be not only an understatement, but not quite right. - All
the characters limned here live in a sort of dreamworld always accompanied by
that indefinable, unlocalised sense of dread and foreboding one has in a dream.
Thus, sometimes it seems to come from a well, or a barrel, or a golden apple or,
in two instances, an encounter with a sort of doppelganger. It's as if the
author had discovered some subaqueous realm lying just under normal sense
experience and described it with the acute realism of Chekhov (of whom the
intense detail in the stories reminded me) combined with the inner horror that
Poe expresses at his best...except Hoffmannstahl expresses it better, but he
couldn't bring himself (apparently) to complete a story of the kind that Poe
wrote. Rather, we have these numinous dream-sequences filled with unnamable
dread. It's as if, as Gerard De Nerval wrote of himself shortly before he
committed suicide, the dream world was taking over "reality" in the author's
mind, or, rather, has taken over. The "letter", tacked on to the end of these
stories, supposedly explaining them, is interesting, but really doesn't tell us
anything we can't glean from the stories. It's a manifesto of sorts, basically
stating (and I simplify here) that language is incapable of explaining the
numinous. Hoffmannstahl was something of an expert on light, and some of his
best descriptions involve the effect of the lighting that lends a scene its
all-encompassing "aura". In this, he very much reminds me of Emily Dickinson. I
was constantly reminded while reading of her lines: A certain slant of light-
Winter afternoons- Oppresses with the heft Of cathedral tunes. Well, I shan't go
on. I'll leave the prospective reader with a quote from the narrator of "Tale of
Two Couples" to give him/her and idea of what to expect: "I walked along like
someone in a dream who is being touched by the atmosphere of his life and by the
suspicion that he is dreaming." P.112
-- http://www.amazon.com/Lord-Chandos-Letter-Syrens/dp/0140389202
Amazon.com: The Lord Chandos Letter (Syrens): Books: Hugo Von Hofmannsthal,Michael Hofmann
Hofmannsthal's most famous work of short fiction is probably Reitergeschichte
(1908), the story of one Wachmeister Anton Lerch.
Later, Lerch meets his double. The interpretation of this scene unclear; some
claim the double is from his future, a warning, whereas others claim that it is
from his past - an opportunity to return to a life of duty.
-- http://www.skrause.org/hofmannsthal/prose.htm
Hofmannsthal: Prose Works
_Ein Brief_ came at age 31, about when the Christ experience should kick in:
Listen here:
-- http://www.podcastdirectory.com/podshows/598736
PodcastDirectory | Episode: Hugo von Hofmannsthal: The Lord Chandos Letter Podcast
Yours truly,
Glenn Scheper
http://home.earthlink.net/~glenn_scheper/
glenn_scheper + at + earthlink.net
Copyleft(!) Forward freely.
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