AtDTDA: 19 hidden 'innocently' inside the 'w' term [542]
robinlandseadel at comcast.net
robinlandseadel at comcast.net
Wed Oct 10 13:12:29 CDT 2007
There's that 'hidden term'the 'w' term, Woevre is speculating.
It seems to be the key to understanding the Quaternionic Weapon.
Well, that term, it appears, represents time. I still don't 'get' the math
in Against the Day, but fortunately, someone does. I'm pretty sure
that this has been posted before, but this is the moment in our
traversal of the novel where we really can use it:
Science in Against the Day: Vectors and Quaternions
Michael White
Here at last is the long-delayed next installment of my
ongoing primer on the science in Thomas Pynchon's novel
Against the Day. The draft of part 1 can be found here.
Illness and major deadlnes put me back by months. I hope
to have more installments out soon.
Anyway, here is part 2: Quaternions and Vectors in
Against the Day. . . .:
. . . .Why does Pynchon make such a big deal of quaternions and
vectors in Against the Day? Possibly because they are so tied up with the
changing notions of light, space, and time around the end of the 19th Century.
An important theme in the history of science is that how we perceive our world
is limited by how we can measure it, and what we can say about it (especially
in terms of mathematics). The quaternionists views of space and time were
limited by the mathematical formalisms they were working with. Some of them
speculated that the scalar (or w ) term of a quaternion could be used somehow
to represent time, while the three vector components covered 3-dimensional
space, but this view treats time differently from how it would eventually be
dealt with in the four-dimensional space-time of special relativity. For one
thing, time as a scalar term would only have two directions, + or -; that
is, either forward or backwards, whereas in relativity individual observers
can be rotated any angle relative to the time axis of four-dimensional
space-time (recall the Frogger example from part I of this essay).
Characters in Against the Day speculate about the somewhat mysterious role of
the w term of quaternions, suggesting that the Quaternion weapon makes use the
w term to somehow displace objects in time. As Louis Menand notes in his review
of Against the Day, this book is a kind of inventory of the possibilities
inherent in a particular moment in the history of the imagination. (I disagree
with Menands claim that this is all the book is, and that it is just a rehash
of what was done in Mason & Dixon. More on that in another installment of this
essay.)
Spaces and geometries, those which we perceive, which we cant perceive, or
which only some of us perceive, are a recurring theme in Against the Day. As
Professor Svegli tells the Chums about the Sfinciuno Itinerary, The problem
lies with the projection of surfaces, especially imaginary ones beyond our
three-dimensional earth. Thus paramorphoscopes were invented to reveal worlds
which are set to the side of the one we have taken, until now, to be the only world
given us. (p. 249) To draw perhaps a too-crude analogy, the
mathematical tools of physics are like paramorphoscopes - designed correctly,
they can enable us to talk about worlds and imaginary axes that we would not
have considered otherwise. And perhaps the by abandoning some of the tools once
current in the 19th Century, we have closed off our perception of other aspects
of nature that remain currently transparent to us. It turns out that Gibbs
vector analysis itself was insufficient to handle important aspects of
relativistic space-time as well as quantum mechanics, and physicists have since
rediscovered important ideas in algebra developed by Hermann Grassman and
William Clifford, whose 19th century work anticipated important 20th century
developments better than quaternions or vector analysis. . . .
http://tinyurl.com/39nzyb
But how 'innocent' is time anyway? It is after all, that which wounds all heels.
Time is a term often worth considering when contemplating karma. This place
we now are inthe 'Grand Dyke'is holding back all these forces of bad
karma that King Leopold's despoilment of the Congo demands. The Congo
might help us see one of Pynchon's 'hidden terms': Civil Rights. Lurking in the
background [though breaking into the foreground in Mason & Dixon] is the
issue of civil rights. It also breaks into the foreground here: Flanders awaits
a gassing, this story continues in Gravity's Rainbow. Underneath it all is
slavery, and if it's justice that Pynchon seeks, Our Beloved Author perceives
justice in terms of enslavement, and of course freedom. And as we all know,
freedom is the domain of the Counterforce.
Po-Mo sounds wafting through the room:
Brian Eno, David Byrne: 'My Life In The Bush Of Ghosts'
Quran
Sire LP
Laurie Anderson: United States Parts I-IV
"Language is a virus from outer space"William S. Burroughs
Warner Brothers LP
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