VL-IV 1: Time for the kissoff story pgs 14/15
bandwraith at aol.com
bandwraith at aol.com
Wed Dec 10 05:48:04 CST 2008
Nicely done. Great perspective on the amazing way Pynchon invokes
a world in which his characters become almost inevitable manifestations.
I would add only this, which I think is key, but which Pynchon does
his level best to shroud by saturating the setting with all the
distractions we have come to take for granted (know and love?)
in our own existences:
Whatever else Zoyd is doing, he is primarily obeying the law.
In fact, he is obeying two laws- the law of The Man, which may
or may not be just, and, the second law of thermodynamics, which
may or may not be ultimately true. And yes, it's all about work.
Whatever Zoyd gains by his efforts- which tend as much toward
avoiding pain as obtaining pleasure- he will pay the price. Reading
novels is much the same thing. When were done, I guess, we
can decide if it was worth the effort.
"I'm workin' on it"
-----Original Message-----
From: Robin Landseadel <robinlandseadel at comcast.net>
To: pynchon-l at waste.org
Sent: Tue, 9 Dec 2008 11:58 am
Subject: VL-IV 1: Time for the kissoff story pgs 14/15
Zoyd & Prairie in a state of tubal ecstasy. Zoyd’s annual act of
transfenestration gets the treatment reserved for “silly news”, like
Countdown’s “Oddball” or Kent Jones “Just Enough”, a subset of news
slipped in at the end of the broadcast that you’re just supposed to
laugh at. The name “ Skip TromblayE2—skip and tremble, a fey name just
on the edge of stuttering—underscores Zoyd’s act as a a ”silly season”
item, slapped on the end of local news and sports to fill in just
enough time to for the broadcast to bump right up against the edges of
the ad-buys.
http://www.youtube.com/watch?v=RU4RHNUlydY
“local laughing-academy outpatient” hints at Ronald Reagan’s
dismantling of the mental health system in California during his tenure
as Governor and extending into his presidency.
From—Ronald Reagan and the
Commitment of the Mentally Ill:
Capital, Interest Groups, and the
Eclipse of Social Policy
by Alexandar R. Thomas:
The concerns of the general public
were also mobilized in the context
of fear over the possibility of a patient
committing a violent or otherwise
anti-social act. Media attention paid
to the problems of the mental health
system tended to concentrate in two
areas: the growing homelessness
problem of the early 1980s and the
possibility of criminal acts committed
by deinsitutionalized patients. Throughout
the 1970s and 1980s, hundreds of
thousands of mentally ill people
concentrated in the inner cities. With t
he rise of gentrification during the 1980s,
many of them became displaced from
their relatively affordable housing and
were unable to find new
accommodations. Many of these patients
had lost contact with family members and
were unable to work, and many did not
have health insurance. Thus, they were
unable to receive mental health services
in the private sector. Media coverage of
the growing homeless problem helped
to pressure legislators in many states to
rewrite commitment laws to extend the
net and make the streets "safer.
http://www.sociology.org/content/vol003.004/thomas.html
From: Cultural Trauma and the "Timeless Burst":
Pynchon's Revision of Nostalgia in Vineland by James Berger
The figure of Zoyd at the Log Jam brings together parodies
of feminism, gay activism, and senseless 80s violence all
as progeny of the old 60s hippie. And this is precisely
the Reaganist view of the 60s: a source of political and
especially sexual violence and chaos. As this opening
scene of “Vineland” suggests, Reaganism had (and the New
Right continues to have) an overriding interest in
subsidizing and perpetuating the memory of the 60s in these
terms. And so the 60s enter the 80s in “Vineland” as
the Reaganis
t 80s would want to see them, as an aging
hippie wearing a dress hurtling through a window for the
local news.
http://www.iath.virginia.edu/pmc/text-only/issue.595/berger.595
“TV 86 Hot Shot News” repeats the theme of being “86’d” or tossed out.
Its etymology is lost in the mists of time:
To get rid of, originally for killing someone.
The phrase "80 miles out and 6 feet under"
was reserved for someone who had to dig
their own grave 80 miles from civilization
and then get shot execution-style. All
terms for 86'd originated from this, be it
alcohol or eliminating.
It's supposed that Jimmy Hoffa was 86'd
under the endzone of Giants Stadium.
Chumley's, a famous and OLD New York
speakeasy, is located at 86 Bedford St.
During Prohibition, an enterance through
an interior adjoing courtyard was used, as
it provided privacy and discretion for
customers.
As was (and is) a New York tradition,
the cops were on the payroll of the bar
and would give a ring to the bar that they
were coming for a raid. The bartender
would then give the command "86
everybody!", which meant that everyone
should hightail
it out the 86 Bedford
enterance because the cops were coming
in through the courtyard door.
http://www.urbandictionary.com/define.php?term=86'd
That “ Alerted by a mystery caller” repeats the theme of “snitching”, a
theme we’ll see a lot of in these parts.
“ Wheeler's deed, which last
year was almost featured
on 'Good Morning America’ ”
. . . underlines out how media saturation via The Tube now controls the
dialog, much as Republican talking points in the age of Karl Rove,
Blackberries and Fox News controlled the political dialog for the last
decade or two. As ‘Cultural Trauma and the "Timeless Burst" ‘ points
out, funds taken away from government sponsored mental health programs
are now funneled into propaganda, supplanting the Left’s history of
activism and union/community organizing with a revisionist history of
crazed, violent sexual perverts. Out with Woody Guthrie, “Saint
Stephen” and Wavy Gravy, in with Charles Manson, Mark Chapman and the
right-wing’s dark fantasies regarding William Ayres.
I’m not sure how Zoyd would pick up San Francisco TV up in the greater
Garberville/Crescent City/Trinidad area so Pynch might stretch
plausibility here, but:
. . .in Tubal form he was pleased to
see that the dres
s, Day-Glo orange,
near-ultraviolet purple, some acid
green, and a little magenta in a
retro-Hawaiian parrots-and-hula-girls
print, came across as a real attention-
getter. Over on one of the San
Francisco channels, the videotape
was being repeated in slow motion,
the million crystal trajectories smooth
as fountain-drops, Zoyd in midair with
time to rotate into a number of
positions he didn't remember being in,
many of which, freeze-framed, could
have won photo awards someplace. . .
. . .if nothing else, points to how much of an ego investment Zoyd has
in this stupid, self-destructive game he’s been playing for so many
years. Prairie gives a big thumbs up to this year’s performance:
"Give you a nine point five, Dad,
your personal best - too bad the
VCR's busted, we could've taped it."
"I'm workin' on it."
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