Against the Light: Divine Radiance and Religious Experience
robinlandseadel at comcast.net
robinlandseadel at comcast.net
Mon Feb 4 09:52:23 CST 2008
As it has ever been, and apparently ever shall be, gods,
superseded, become the devils in the system which supplants
their reign, and stay on to make trouble for their successors,
available, as they are, to a few for whom magic has not
despaired, and been superseded by religion.
William Gaddis, the Recognitions, pg 102
http://waste.org/mail/?list=pynchon-l&month=0709&msg=121306&keywords=starhawk
I'm against the day 'cause it's just too much light.
She could, at this stage of things, recognize signals like
that, as the epileptic is said to an odor, color, pure piercing
grace note announcing his seizure. Afterward it is only this
signal, really dross, this secular announcement, and never
what is revealed during the attack, that he remembers.
Oedipa wondered whether, at the end of this (if it were
supposed to end), she too might not be left with only compiled
memories of clues, announcements, intimations, but never
the central truth itself, which must somehow each time be too
bright for her memory to hold; which must always blaze out,
destroying its own message irreversibly, leaving an
overexposed blank when the ordinary world came back. In the
space of a sip of dandelion wine it came to her that she would
never know how many times such a seizure may already have
visited, or how to grasp it should it visit again. Perhaps even in
this last second---but there was no way to tell. She glanced down
the corridor of Cohen's rooms in the rain and saw, for the very
first time, how far it might be possible to get lost in this.
I like fog. . . .
Mason nods, gazing past the little Harbor, out to Sea.
None of his business where Maskelyne goes, or
comes,---God let it remain so. The Stars wheel into
the blackness of the broken steep Hills guarding the
Mouth of the Valley. Fog begins to stir against the
Day swelling near. Among the whiten'd Rock Walls
of the Houses seethes a great Whisper of Living Voice.
Mason & Dixon, pg 125
and rain. . . .
. . . .if you're talking about texts ABOUT Paganism, then
late Neoplatonic theurgy and late Classical material
provide some of the earliest material--we're referring to
the writings of Porphyry, Iamblichus and Proclus, among
others. In their search for the most ancient sources of Pagan
"theory" or history, most Pagans today don't look at
Neoplatonism. When modern Pagans look for their Pagan
ancestors, they pretty much restrict their search to tribal
peoples living in the woods of Western Europe. The
Neoplatonic theurgists, on the other hand, were highly
educated, urban, intellectual Pagans--the end products of a
Pagan academic system spanning over two thousand years.
There's an Arabic connection here as well; one I've written
about at some length in an article called: "Harran: Last Refuge
of Classical Paganism." [see appendix]. I am also in the
process of organizing a symposium on this at UC Berkeley
for Spring 2002.
Julian (called "the Apostate"), the last Pagan Emperor of Rome,
was a Neoplatonist. In his attempt to revitalize Paganism in the
Roman Empire, he asked his friend, the philosopher Sallustius,
to prepare a sort of "catechism" of Paganism. Titled On the
Gods and the World, this is a marvelous book of Pagan
theology and it is usually overlooked by modern Pagans. It is
filled with wonderful pithy statements. Speaking of myths, for
example, Sallustius says, "Now these things never happened,
but always are." In fact, Gerald Gardner commended the teaching
of Sallustius for "its startling modernity--it might have been spoken
yesterday. Further, it might have been spoken at a witch meeting,
at any time, as a general statement of their creed." So, Gardner
himself said that this Neoplatonic "catechism" described the beliefs
of the witch group he joined. In the terms I used before, if Celtic
shamanism is the shape of modern Craft, then late Neoplatonic
theurgy is the clay out of which it has been shaped.
Don Frew, from :
http://www.researchpubs.com/books/mpex_frew.php
In this essay, I will comment on the way in which one group of
Neoplatonic mystics, the theurgists, resolved the tension
between their belieg that divinity was transcendent and their
desire to understand their mystical experiences by developing
the idea that divinity consisted of fiery light. . . .
The Presence of Light:
Divine Radiance and Religious Experience
By Matthew Kapstein, pg. 6
http://tinyurl.com/ypyzcz
http://tinyurl.com/yrfq9t
Ahura Mazda, whose name means "wise lord," was the most
important god in ancient Persian mythology. When the religion
known as Zoroastrianism became widespread in Persia around
600 B.C., Ahura Mazda became its supreme deity. The Persians
considered him to be the creator of earth, the heavens, and
humankind, as well as the source of all goodness and happiness
on earth. He was known to later Zoroastrians as Ohrmazd.
Ahura Mazda appears in Persian art and texts as a bearded man
wearing a robe covered with stars. Dwelling high in heaven, he had
the sun for an eye. In the Zoroastrian religion, Ahura Mazda was
associated with light and fire, the emblems of truth, goodness, and
wisdom. He created six divine beings, or angels, to help him spread
goodness and govern the universe. One of the most important
angels was Ahsa Vahishta ("Excellent Order" or "Truth"), the patron
of fire and spirit of justice. Vohu Manah ("Good Mind") was a symbol
of love and sacred wisdom who welcomed souls to paradise.
The early Zoroastrians had a dualistic system of belief in which two
opposing and equal forces—good and evil—battled for control of
the world. Ahura Mazda (originally called Spenta Mainyu)
represented light, truth, and goodness. His great enemy was his
twin brother, Angra Mainyu (also known as Ahriman), the god of
darkness, anger, and death. Later Zoroastrians considered Ahura
Mazda to be the more powerful force, who would ultimately triumph
over the evil Ahriman.
http://www.mythencyclopedia.com/A-Am/Ahura-Mazda.html
Move over you dusty philosophers and virgin men of the cloth
there is room in that post-modern grave for the scientist
too. But waita minute, maybe this has nothing to do with
philosophy orscience, or theology itself, perhaps the "gap in
human understanding" is not a gap at all but only one way of
looking at the world.
What happened to the "Platonic Creed" in the christian
medieval world?
This a question implicit at least, in GR.
Wasn't it in part subordinated to the orthodox (the
biblical) creationist ideas of Augustine, Anselm, and
Bonaventure and to the various strains of Neoplatonic
thought that reiterated Plotinus's idea of the ONE and
Aquinas's reflexivity?
Also, that white folk law stuff, wow, what nonsense, the so
called "Platonic Creed" is not unique to the West. What
would a Confuscian say about all this?
I-ching feet for this one anybody?
http://waste.org/mail/?list=pynchon-l&month=0007&msg=47156&keywords=Neoplatonic%20theurgy
Theosophy is the name Blavatsky gave to that portion
of knowledge that she brought from the masters to the
world. It comes from the term "Theosophia" used by
the Neoplatonists to mean literally "knowledge of the
divine".
http://www.blavatsky.net/
http://waste.org/mail/?list=pynchon-l&month=0705&msg=118313&keywords=Neoplatonic%20theurgy
It is an irony that the man who bequeathed a Neoplatonic world
view to the West also gave us a way of conceptualizing human
history that is at odds with some of its most basic contours. In
the Greco-Roman world in general and in Neoplatonism in
particular, the importance of history is largely in the cyclical
patterns that forge the past, present, and future into a continuous
whole, emphasizing what is repeated and common over what is
idiosyncratic and unique. In Augustine, we find a conception of
human history that in effect reverses this schema by providing a
linear account which presents history as the dramatic unfolding
of a morally decisive set of non-repeatable events.
http://plato.stanford.edu/entries/augustine/#6
http://waste.org/mail/?list=pynchon-l&month=0708&msg=120768&keywords=Neoplatonic%20theurgy
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