atddta 32:death staying the hand of the sculptor
grladams at teleport.com
grladams at teleport.com
Tue May 6 09:53:24 CDT 2008
Angel of Death 894-
Much exists on the Pynchon-l archives about the Rilkean angels.
Some of the places where Angel of Death allegory are realized are in
images, so impossible to paste to the p-list so I have created a website to
contain them
http://tiny.cc/4FRLr
A review of the American sculpture at the top of my collage, at it's debut:
The Metropolitan Museum of Art Bulletin, Vol. 21, No. 7 (Jul., 1926), pp.
162-161 (article consists of 2 pages, I have only cut out two paragraphs)
Death Staying the Hand of the Sculptor
The boy looks up, uncomprehending
and fearless, unwilling to be thus
stopped in his work in so abrupt and inexplicable
a fashion. The youthful vigor,
the questioning rapt gaze, the hand still
holding the chisel in place-all combine to
convey the untimeliness of the sculptor's
death. The angel, on the other hand, is
the very embodiment of the static forces
of the ages-the Great Mother from whom
all energies are given out but to whom also
they must ultimately return. Her eyes are
tender with the joys and sorrows of the
past and of the future. The all-inclusiveness
of her knowledge is the very sleep
wherewith she redeems all that has gone
out from her.
Gently but surely she advances
toward the young sculptor, her great
wings drooping by her sides, carrying in
one hand a bunch of poppies, symbolic of
sleep. The shadow of a heavy veil enhances
the mystery in her face.
Mr. French has made the meeting of
Death and the sculptor one of pleasant
naturalness, excluding from it the attendant
grief and pain which one ordinarily associates
with the subject. His rendition is one
of intellectualized realism in which the idea
is so direct and powerful as to make the
experience preeminently spiritual rather
than physical. The more one studies this
group the more one is impressed with the
degree to which the sculptor has inspired
his material with a message of great poignancy
and human appeal.
PRESTON REMINGTON.
Jill
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