Ch 15
Robin Landseadel
robinlandseadel at comcast.net
Wed Apr 15 10:16:49 CDT 2009
Frank Zappa comes to Joseph Tracy's defense:
"There are more love songs than anything else.
If songs could make you do something we'd all love one
another."
On Apr 15, 2009, at 7:37 AM, Paul Mackin wrote:
> Don't you think the fact that the text
>
> Pepsi-cola hits the spot.
> Twelve full ounces that's a lot.
> Twice the pleasure for a nickel too.
> Pepsi-cola is the drink for you.
>
> had it's message enhanced exponentially by setting it to a catchy
> tune was an important development in the Brave New World?
I'd like to to Teach the World to Sing in Perfect Harmony:
http://www.youtube.com/watch?v=6mOEU87SBTU
In any case, different people respond to music in different ways. My
point would be that music can work on people—particularly in Film and
esp. TV—in a way that bypasses the conscious mind. "Just throw in a
oboe theme, you're supposed be getting people to cry here."
I've been a radio DJ in multiple musical disciplines—Classical, New
Age, Folk and World Music. I've also been a recording engineer for
some serious classical musicians, so music might leave a deeper
impression on me than on others.
FWIW, the cartoon's name is "What's Opera, Doc?". It was was a true
labor of love for Chuck Jones and his musical collaborator Carl
Stalling . This version of the cartoon is a multi-lingual version with
the best image quality:
http://www.youtube.com/watch?v=_D_Ka4Bfqhk
Viewed today, it is not hard to see the analogies between
Stalling's approach and the techniques of collage and
citation heard in music by European composers such as
Satie, Stockhausen, Kagel, Berio, Zimmermann, as well
as Americans from Ives to Rochberg. The New York
composer John Zorn has even heralded Stalling as an
avatar of the post-modern in music, in which multiple
rather than single idioms prevail. These musicians share
with Stalling an aesthetic that favors discontinuity and
simultaneity over the sort of continuous development
heard in most orchestral music of the 19th century
http://www.andante.com/article/article.cfm?id=16374
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