IVIV (1) Shasta

[John Bailey]

Not to mention the screen doors and TV screens of suburban LA, squared
plots washed away by mudslides and replaced by recurved giant fangs,
elevated freeways whose turn-offs become ever-more-obscured, entire
neighbourhoods going up overnight and erasing the topii once occupying
the same space, blocks of white stuff that aren't, but may as well be,
the Tube, and three pages of foggy, white-noisey frontpages that
aren't duplications of the same image. Maybe if someone could overlay
those pages some new depth would appear.

Or maybe IV could have been renamed False Heights.

On Thu, Aug 27, 2009 at 4:44 PM, Tore Rye Andersen<torerye at hotmail.com> wrote:
>
> John Bailey:
>
>> And SPOILER ALERT when Doc finally makes it onto the water, [...] he
>> looks back at his world, his rolling beach and the constantly-referred
>> to gradients of Gordita's hills, and realises that his world, from out
>> here, is FLAT.
>
> Cf. this bit from the promo video:
>
> "Later on, all this is gonna go highrise, high-rent, high intensity.
> But right now, back in 1970, what it is is just HIGH."
>
> Compare and contrast the two passages. Paper to be handed in by the
> end of the week.
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