The flattened American landscape of minor writers
Robin Landseadel
robinlandseadel at comcast.net
Wed Feb 25 11:37:32 CST 2009
On Feb 25, 2009, at 9:02 AM, rich wrote:
> I agree with what you say/and demonstrate John but I think its pretty
> narrow minded to exclusively name drop writers of a certain affinity
> (in this case white, male straight, jewish for most part) as the best
> of the best of post-war American fiction.
>
> rich
Speaking only for myself [while suspecting that this also applies to
others] us Pynchonites tend to get a tad insular and obsessive—a bit
too focused on one author to the exclusion of others. It all sounds a
lot like:
"Yeah well," as film critic Mitchell Prettyplace puts it in his
definitive 18-volume study of King Kong, "you know, he did love
her, folks." Proceeding from this thesis, it appears that
Prettyplace has left nothing out, every shot including out-takes
raked through for every last bit of symbolism, exhaustive
biographies of everyone connected with the film, extras, grips,
lab people ... even interviews with King Kong Kultists, who to be
eligible for membership must have seen the movie at least 100
times and be prepared to pass an 8-hour entrance exam ....
Gravity's Rainbow, page 279 [Penguin Edition]
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