The flattened American landscape of minor writers
Robin Landseadel
robinlandseadel at comcast.net
Fri Feb 27 09:51:49 CST 2009
On Feb 27, 2009, at 6:58 AM, Carvill John wrote:
> Moorcock seems to be having his cake and eating it too, making out
> that he was onto Pynchon way back, and implies that he and his
> cronies were all hip to entropy as a metaphor before Pynchon's
> story. And he seems determined to wrap Pynchon up in a 'speculative
> fiction' blanket...
Moorcock states:
. . .FAMILIAR WITH THOMAS Pynchon’s work since the 1960s
when we ran his ‘Entropy’ in New Worlds . . .
Michael Moorcock became editor of the periodical "New Worlds" back in
1964, demonstrating that Moorcock WAS onto Pynchon way back.
Seriously, it should not come as a shock to find out that someone
interested in William.S. Burroughs and J.G. Ballard would be concerned
with entropy:
http://www.ballardian.com/angry-old-men-michael-moorcock-on-jg-ballard
While Pynchon's gifts extend beyond what is usually found in
"Speculative Fiction"—for that matter, the same applies to Philip K.
Dick [in spite of and sometimes because of his flaws as a writer]—
Against the Day and Gravity's Rainbow both have many homages to SF.
These are not moot points. What I found particularly interesting about
this review was its reference to string theory, something that most
reviewers of AtD did not [and probably could not] pick up on. In any
case, Pynchon's writings are a bit beyond the usual high/low cultural
criticisms, as he has a tendency to mix all levels of cultural
erudition into his blender. Not that there's anything wrong with
that . . .
> I dunno, it's a weird review, like he wants to claim Pynchon for sci-
> fi yet doesn't want to face the fact that Pynchon's work far
> outstrips all the other authors he mentions.
. . .The first half of this romance certainly recaptures the
prevalent mood of pre-1914 America, when ‘wizards’ such as
Edison and Tesla were public legends, but, like Twain before
him, Pynchon introduces a questioning, deeply elegaic note
into his story of Yankee ‘can-do’ optimism, producing a tall tale
entirely serious in intention, if only rarely in tone. . .
I would have no problem comparing Pynchon to Twain as regards quality
of writing. As I recall, a great many readers/reviewers had issues
comparing the Pynchon of Against the Day to the Pynchon of Gravity's
Rainbow and many still do.
.
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