Cof L49; woven into everything? TAKE TWO

[kelber at mindspring.com]

Paranoia's a major theme in all TRP's books, but the THEY varies.  Need to reread before I blurt too much, but it seems as if the THEY in V related more to an amorphous terror of the inanimate -- "what's the difference between us and them?" sort of thing.  The THEY in GR was much more sharply defined as the military-industrial complex.  In COL49, we're sort of midway between the two terrors.  Not sure that the THEY that holds Oedipa in her tower is organized or human, even.  And she's guided through the Tristero system by pretty weak outside causes - stray comments, etc.  Whatever's driving Oedipa's journey is internal to her, or at least internal to her tower.  Maxwell's Demon seems like a central metaphor here.  Oedipa in her tower is like a molecule in a box.  AN equivalent to Maxwell's Demon is shunting her in the right direction, energizing her, causing her to do do not real work, but mental work.  Anything she uncovers will stay strictly in her mind.

Laura

-----Original Message-----
>From: Mark Kohut <markekohut at yahoo.com>

>
>
>Paranoia:
>The lunatic, the lover, and the poet Are of imagination all compact: One sees more devils than vast hell can hold,...
> 
>Devils real or just imagined? Yes, the Q: but either way---both ways---The Tristero is some dark shadowy force
>1) in History
>2) in America now/ In America as good as always
>3) in any projection of a world?
>
>----- Original Message ----
>From: Mark Kohut <markekohut at yahoo.com>

>
>Chap 4, p. 81hc "as if the more she collected the more would come to her, until everything she saw, smelled, dreamed, remembered, would, somehow, come to be woven into The Tristero."..... 
>cf. 'woven' as in the Varos tapestry. 
>
>If extensive enough, is the new weave to become the new 'tower' for Oedipa? Which is still everywhere, so, maybe the newly created tapestry just exists within the tower? (I vote Yes to that)
>
>I am reminded of the "imagination all compact" from "Mid-Summer Night's Dream":
>" The lunatic, the lover, and the poet 
>Are of imagination all compact. 
>. . . 
>And as imagination bodies forth 
>The forms of things unknown, the poet's pen 
>Turns them to shapes, and gives to aery nothing 
>A local habitation and a name. 
>(V.i.7-17). 
>
>As in the Varos tapestry, The Tristero is woven imaginatively into everything---as poets do? 
>It takes imagination to weave the Tristero into all things?   
>
>
>      
>