Chap 4 YoYodyne, factory of war
Robin Landseadel
robinlandseadel at comcast.net
Mon Jun 1 16:39:34 CDT 2009
On Jun 1, 2009, at 1:46 PM, Michael Bailey wrote:
> Robin probably could say which versions are best
Reiner. Chicago Symphony Orchestra. Slam Dunk.
The SACD is very fine and unless your butt-ugly rich enough for a mint
shaded dog with matching SME 30 + Blowtorch°, you're better off with
the SACD. The very definition of "the definitive recording" [whatever
the hell that's supposed to be.]
http://www.amazon.com/Bartok-Concerto-Orchestra-Percussion-Hungarian/dp/B0013DDO9M
Anyone getting into vinyl is stumbling into a civil war that's
raged in the audio press for the past 20* years. There are two
kinds of audio critic. Representing the mainstream is Sound &
Vision, formerly Stereo Review, whose editors have always
maintained that the CD improved over the LP thanks to its
compactness, durability, and lack of surface noise. Without the
CD, we would never have arrived at the iPod.‡
Taking the opposing viewpoint are Stereophile and other high-
end stalwarts who devoutly maintain that listeners took a tragic
wrong turn when the CD supplanted the LP.· They believe one
generation has forgotten how to listen and the next one never
learned. Incidentally, I'm on speaking terms with both camps,
and before they jump all over me, I freely acknowledge that
these summaries of their positions are brief and inadequate.
http://news.digitaltrends.com/talk-back/63/shaded-dog-days
I'm not sure if I should even be submitting this, as the Blowtorch
tends to qualify for 'unobtainium' status. . .
http://www.audioasylum.com/reviews/Preamplifier-SS/CTC/Blowtorch-preamp/amp/95442.html
The SME Model 30 Turntable
FROM HELL'S HEART I STAB AT THEE
The $15,000‹ SME Model 30 turntable is everything we have
ever demanded of a turntable. In this, the twilight of the vinyl
gods, it is the best choice for a "last turntable"-the table to walk
with into the good dark night. . .
http://www.sme.ltd.uk/content/Model-302-The-Absolute-Sound-1457.shtml
°Though a Linn/Vendetta front-end ought to do rather nicely if your
total system budget is under $1,000,000.
*More like 25. And Pynchon showed his hand 20 years ago in Vineland.
Note—the SACD of Sam Cooke's Greatest Hits is very, very fine. Good
luck finding it!
‡Perhaps the end of civilization as we know it.
·It's not so much the "Digital" part that makes us foam at the mouth,
it's the crappy standards and implementation of digital sound in the
early years. DSD and high-bit PCM are close in quality [but not
identical] to analog these days, and SACDs and the PCM versions of
these data-rich modes of digitally recording music have virtues that
analog media doesn't. Of course, a whole generation of musicians and
engineers got lost in the process, and further implementation of data
reduction in MP3s resulted in sounds in popular music that made
popular music a whole lot less popular, but that's just collateral
damage, right? In any case, the Reiner recordings of Bartok document a
musical culture that otherwise would have been lost and the recorded
sound quality qualifies the recording as a species of time-machine.
‹More like $20,000 these days.
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