A Nobel failure

Dave Monroe against.the.dave at gmail.com
Fri Oct 16 16:44:09 CDT 2009


A Nobel failureBy Thomas Shattuck
Published Oct. 15, 2009. 96 views


The Noble Prize has always been a political affair, even when comes to
literature. Last year, Horace Engdahl went as far as to say, “The U.S.
is too isolated, too insular. They don't translate enough and don't
really participate in the big dialogue of literature, that ignorance
is restraining." It may be true that Philip Roth and Thomas Pynchon
don’t translate well and perhaps many Europeans cannot relate to their
work. It is also true that many Americans do not read foreign work,
but domestic authors shouldn’t be punished because of the general
population.

Over the past few years, the number of Americans who read a book in
the course of a single year has dwindled close to 50 percent. If you
only count books that are part of the canon or at least considered
literary fiction, that percentage drops uncomfortably close to zero.
Furthermore, the number of people in the United States who read books
by Nobel winners has to be pretty limited, though there are no
statistics proving this.

This is not limited to foreign winners, however, most people are
unaware that Sinclair Lewis was the first American to win the prize in
literature. His books include “Arrowsmith” and “Babbitt,” both of
which relate a specifically American experience to the world at large.
By portraying the world as he saw it, readers could understand a
situation well outside their own ken. These days, it is hard to find
all that many people who have actually read either of those novels, or
any of the rest of his work for that matter.

There are more distractions these days than there used to be. I mean
there’s TV, the internet, pornography and whatnot. Hell, why read
“Pride and Prejudice” when you can watch the movie and “The Lion King”
is somewhat similar to “Hamlet.”  It’s still depressing to think that
authors have been constantly fighting censors and in some cases
fleeing the homeland to get their work published and we as a people
refuse to read it. If a few things went differently, “Ulysses,”
“Lolita” and “The Tropic of Cancer” would never have even been printed
in the US. On some level, we owe it to the author to ignore the myriad
of distractions and read a damn book. We cannot remain so isolated and
ignorant.

Americans at large have forgotten their literary heritage. It is hard
to expect them to read Doris Lessing if they are not even vaguely
aware of who Isaac Bashveis Singer was and what he wrote. Few remember
Pearl S. Buck or Saul Bellow. Even Toni Morrison, the most recent
American to be a recipient of the award, is read regularly by only a
few and ignored by most. We are not only spatially isolated, but
temporally as well. The important figures of our recent past have
become as obscure as anyone else.  We cannot expect to be apart of the
“big dialogue of literature” if we do not even participate in our own.

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