IVIV: Chapter Five—Head 'em off at the Past ! ! !
Robin Landseadel
robinlandseadel at comcast.net
Wed Sep 9 11:49:21 CDT 2009
Chapter five has a number of variations on themes by Raymond Chandler,
but first off I'd like to point to a few anomalies of "Pop" or "Rock"
radio in the late sixties and early seventies in Los Angeles. A
transition in radio occurred in "Pop" radio during the brief rise and
steep fall of the hippies. KPPC turned into one of those "Underground"
radio stations, featuring long sets, heavier sounds and stoned DJs.
Eventually KPPC morphed into New-Wave standard bearer KROQ:
http://www.youtube.com/watch?v=c3xy8s-IQ7k
The somewhat more commercial KMET soon followed suit and KRLA loosened
up its programming policies, making "Radio Free Oz" possible even on
the AM band and doing some decidedly strange shit on Sunday nights. I
suppose an indication that Doc is the preterite sort is underlined by
the fact that he's still listening to AM radio during the time of
Rock's ascendency into FM.
For many years I've assumed that Pynchon may have had a hand in [and
at the very least, had to be aware of] the Firesign Theater. Like
maybe he was the fifth crazy guy or somethin'. Since reading Inherent
Vice, it has dawned on me that the Bonzo Dog Band—née the Bonzo Dog
Dada Band, later the Bonzo Dog Doo-Dah Band—is in many ways a better
comedic fit.
First, allow me to paint the scene. Doc—who at times may appear to be
a zonked-out fool [the drug-related incident on page 25 leaps to mind]—
is, after all is said and done, a resourceful P.l. Shasta suggested "a
possible laughing-academy angle" to Mickey's abduction, so Doc begins
maneuvers upon co-conspirator Mrs. Sloane Wolfmann in order to
determine what nut-house the real estate developer may have been
dumped in. Doc coms up with his own bogus mental health clinic—"Modern
Institute for Cognitive Re-patterning and Overhaul". aka "MICRO"— yet
another echo of LSD's function [briefly] as a therapeutic aid for
modern, over-stressed personalities. This was particularly true in
Stanford, doubtlessly true around UCLA and Isla Vista is certainly
close enough to Ojai for rock 'n roll.
Getting ready for his visit to the Wolfmann estate, the good Doc
checks out some "straight" costumes in his "en suite broom closet"
setting his sights on a "double-breasted velour suit from Zeidler &
Zeidler" and a short-hair wig that almost matched the suit. I can't
help wonder how lumpy and obvious that wig must have looked on Larry's
hirsute head. Doc has his friend "Jake" make up a few business cards
for "MICRO" and that's the last we'll ever see of Jake. The card
reads: "MICRO—Reconfiguring Southland brains since 1966. Larry
Sportello, Licensed Associate" which the author points out is true
enough long as the license you're referring to is a California
driver's. It's also a reminder of the point where LSD stopped being
therapeutic and started being "party time!!!", a fad doomed to fall
apart soon enough. Just ask Count Drugula.
That "Zeidler & Zeidler" reference reminded me of Zappa & the
Mother's "Eddie Are You Kidding?" This is Flo & Eddie—lead vocalists
in Frank Zappa's encomium for the low-priced leaders in Men's Fashions
— doing their thing at the bottom line in NYC. Try around 3:45 and if
you play the whole thing, expect to be offended.
http://tinyurl.com/neqlor
While the Zeidler & Zeidler chain of clothing stores folded back in
1996, there still is a Zeidler & Zeidler Dental Group in Century City,
doubtlessly still deeply enmeshed with the Golden Fang.
Back to Doc's car climbing into the Santa Monica Mountains towards the
Wolfmann Estate. I've been a fan of the Bonzo Dog Band from the first
time I've heard them—early 1968 in Fresno a DJ on an otherwise
"Normal" top 40 station decided to play "The Intro & the Outro":
http://www.youtube.com/watch?v=4Bxv_HLwT7U
Not that KRLA in early 1970 was anything like "Normal."
Speaking of "Normal":
http://www.youtube.com/watch?v=VIYOY10RD-M
"We are Normal and we want our Freedom!"
"We are Normal and we like Bert Wheedon!"
http://www.youtube.com/watch?v=1fZr14KeS6Q&feature=related
http://www.youtube.com/watch?v=BCJ7ycSMCkA&feature=related
In fact, that Firesign Theater connection I mentioned earlier is
touched upon by virtue of Doc's radio being tuned to KRLA and all. One
of the FS's first audio venues was "Radio Free Oz" on KRLA:
http://www.firezine.net/faq/fst-zine-faq-2.html
The Firesign Theater stopped performing on KRLA on January 14, 1968
but continued to have a presence on L.A. radio through the seventies,
over on FM stations KPFK [cited in Vineland], KPPC and KMET.
I'll expand on the figure of Vivian Stanshall—a key Bonzo and I
suspect also a major influence on that whole George Formby thing in
GR . . .
http://www.youtube.com/watch?v=qUq6ktf19WE
http://www.youtube.com/watch?v=55-oNqY1yTU
. . . in a later post but meanwhile: here's the best link I've found
for "Bang Bang." Just scroll down to the song and 'hit' play:
http://www.rhapsody.com/bonzo-dog-band/the-doughnut-in-grannys-greenhouse
Somehow I find this performance of Sonny Bono's meisterwerke quite
redolent of Stewie on Family Guy.
Chapter Five—more than any other in Inherent Vice—seems like
variations on "Head 'em Off at the Past!!!", what with another "Same"
Mansion and as many references to 40's noir conventions as can be
stuffed into 12 pages [be sure to check out the lighting on page 58]:
http://www.youtube.com/watch?v=q5XfXECpU6w
NICK
And that's why I called you today, Nancy... I mean, Mrs. Haber.
Something reminded me of that time so long ago under the
dwarf maples.
NANCY
(phone voice) I don't know what prompted you to get in touch
with me, but you called just in the nick of time.
NICK
You haven't lost your delicate sense of humor, have you,
Nancy?
NANCY
(phone voice) What?
Nick, I can't talk to you now. You have to get out here right
away. My husband he... It's the same old place in Santa
Barbara, Nicky. Oh, hurry, Nicky, I need you, I nee...
(click/dial tone)
. . . but this is Pynchon and as we shall, see genre conventions will
be on full display in all their florid glory simply to underline the
fact that after all, they're just genre conventions. Kinda like what
"Head 'em off at the Past ! ! ! " does. Kinda like what James Wong
Howe's lighting does.
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