How we use and abuse the word genius. - By Ron Rosenbaum - Slate Magazine
Mark Kohut
markekohut at yahoo.com
Thu Sep 10 07:26:28 CDT 2009
--- On Wed, 9/9/09, Robin Landseadel <robinlandseadel at comcast.net> wrote:
> From: Robin Landseadel <robinlandseadel at comcast.net>
> Subject: Re: How we use and abuse the word genius. - By Ron Rosenbaum - Slate Magazine
> To: pynchon-l at waste.org
> Date: Wednesday, September 9, 2009, 4:41 PM
> On Sep 9, 2009, at 1:11 PM, Paul Di
> Filippo wrote:
>
> > Pynchon as an example.....
> >
> > http://www.slate.com/id/2227801
>
> . . . and a rather bad one at that:
>
> I have my own strong feelings about the
> question of genius in
> literature. I've always felt that if we
> look at the past century,
> Nabokov was a game-changer, as the
> academic phrase has it.
> Nabokov showed there is a place you can
> go, a place that the
> alchemy of words can transport reader
> and writer to, that no one
> had gone before. And Nabokov went there,
> with ease, in Lolita
> and Pale Fire. So it's hard to call any
> other writer in the past
> century a genius of the same order.
> Which in part accounts for
> my ambivalence about the decision to
> publish, against his
> wishes, an unfinished draft of his last
> incomplete work, The
> Original of Laura: No one was more aware
> than he of when a
> work of his had reached its zenith of
> genius. He didn't feel this
> one had. Perhaps, though, we'll learn
> some valuable lessons
> about the degrees of ascent to genius.
> Is it all or nothing?
>
> I'd say the only work of genius in the
> past half-century to come
> close may have been Pynchon's The Crying
> of Lot 49. (Gravity's
> Rainbow was to be his Ulysses but turned
> out to be his
> Finnegans mistake.)
>
> Maybe genius must give the feeling of
> effortlessness as well as
> utter confidence and transcendence.
> Ulysses and Gravity's
> Rainbow both show the palpable sweaty
> strain to become
> encyclopedic works of genius: Always
> screaming across the
> sky: "This is a work of genius!"
>
>
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