IV - chapter 19 - page 345- 347
Bekah
bekah0176 at sbcglobal.net
Wed Jan 6 23:46:24 CST 2010
Continuing Chapter 19:
Page 345
Dentists screwing their receptionists? - and Japonica Fenway - and
others.
" (... fond memories of Dr. Eigenvalue’s “psychdontics” in “V.”).
or Elasmo in Vineland - etc. (this has been threaded and rethreaded)
http://www.buffalonews.com/185/story/751883.html
**
"original cast albums of Broadway musicals" - Hair? 1968
http://en.wikipedia.org/wiki/Hair_(musical)
http://www.musicals101.com/1960bway3.htm
http://www.musicals101.com/1970bway1.htm
**
Doc sees a strange look in Fenway's eyes (is it lust for his own
progeny, or just pure-d bizerkness?) but Fenway makes his offer of
compensation for the return of the goods.
**********
page 346
Doc suggests non-monetary compensation which will be more difficult.
Fenway tries to get his head around this idea as Doc talks about Coy
and family. The issue of the California Vigilants comes up and
Fenway suggests it can be smoothed over as the CV's are basically
simple "hooligans."
Doc refuses money and the negotiations slide into a round of bickering
about politics.
Vigilants -
http://popartmachine.com/item/pop_art/LOC+1077457
and see Joseph Terry's post back in Dec. (but the link is no longer
there)
http://www.waste.org/mail/?list=pynchon-l&month=0912&msg=145912&sort=date
*
Fenway's point is that his people are old money and that they will be
the powers-that-be as long as Doc's people can be bought off for a car
or a blonde. Doc's point is that ever since the first landlord
stiffed someone for their security deposit Fenway's whole class the
lost the respect of the people.
**********
347
Fenway turns that "security deposit" comment into an accounting issue
to determine "how much" Doc wants. Doc responds with statements
about the greediness of the rich resulting in the build-up of class
hatred. The banter degenerates into name-calling, but it's really
the ground-level basics of radical (left wing) vs the reactionary
(upper class) politics.
*
Fenway brings up Mickey's Channel View Estates project saying that it
would be a blight on the environment as it would be for tenement scum
who didn't know how to clean up after themselves. Doc counters with
a straightforward, "Bull shit, Crocker, it's about your property
values."
And Fenway, "It's about <italics> being in place <end
italics)>." Now, repeat that slowly: *** BEING IN PLACE ***
Why the italics - what is that signifying? Or is Fenway emphasizing
it with his voice? (Again, why?) The idea of "being in place" is
kind of Buddhist or Confucian in some respects. But keeping or
minding your place is also Victorian thinking. And the concept of
"numeric place value" is accounting and capitalism again.
*
" (Fenway) glancing around the Visitor's Bar and its withdrawal into
seemingly unbounded shadow."
Dark and expanding interior spaces - See page 21 - "bigger inside
than out" - resonates with the some things in Mason & Dixon, but
wasn't the balloon in AtD like that, too? (Maybe only in my head -
the insides of which may be smaller than apparent at this point.)
It's also about "old money" going back, back, into the mists of time.
*
Fenway again, "We will never run out of you people. The supply is
inexhaustible."
An echo of this, from page 192: "as long as American life was
something to be escaped from, the cartel could always be sure of a
bottomless pool of new customers."
And when Doc suggests masses screaming at the gates of Portola Valley
country club, Fenway shrugs, "Then we do what has to be done to keep
them out. We've been laid siege to by far worse and we're still
here. Aren't we?"
(Shades of Scarsdale Vibe at the meeting near Ludlow - AtD .)
That's ominous and makes it sound like the masses of today are wimps.
Either that or Fenway is just a tad complacent.
In 1970 "revolution" was in the air in some circles - "death to the
fascist insect which preys on the lives of the people" and all that.
"The war is self-perpetuating ... therefore we must end the
government," was the general thinking of the radicals (at least the
ones I was associated with). "You say you want a revolution..."
Beatles - 1968
It wasn't so much about economics - although that was part of it - as
it was about the draft. I don't think the ideas were as feared by
the "powers that be" as they were in the 1880s - 1930s (see AtD).
Bekah
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