NP: apropos of nothing

[Robin Landseadel]

	. . .  the next thing the Firesigns knew, they were working for the
	most prestigious record company in the world. At that point,
	however, all they had was a title - Waiting For The Electrician or
	Something Like Him - which Bergman had developed "on the
	rooftop of an apartment in Amsterdam in 1965. It was for a
	terrible movie that was going to be done entirely in a dark room
	by matchlight.

http://www.doctechnical.com/fst/notes/sfi-cd.htm