Was Augie March thread, misc.
malignd at aol.com
malignd at aol.com
Sun Mar 28 17:01:10 CDT 2010
I wonder whether TRP liked Bellow's work better than Bellow liked his,
Also in Slow Learner, Pynchon explains, "At the simplest level, it had
to do with language. We were encouraged from many directions--Kerouac
and the Beat writers, the diction of Saul Bellow in The Adventures of
Augie March, emerging voices like those of Herbert Gold and Philip
Roth--to see how at least two very distinct kinds of English could be
allowed in fiction to coexist. Allowed! It was actually OK to write
like this! Who knew? The effect was exciting, liberating, strongly
positive."
-----Original Message-----
From: Mark Kohut <markekohut at yahoo.com>
To: pynchon -l <pynchon-l at waste.org>
Sent: Sun, Mar 28, 2010 5:48 pm
Subject: Re: Was Augie March thread, misc.
I just watched, again, Todd Haynes' interpretation of Dylan---early
life at least---the movie"I'm Not There".....and in it there is a scene
in which Dylan leaves a limo after being "interviewed"by an ultrasmug
hit man of a journalist---the guy said to be the inspiration for Mr.
Jones inthat song, I believe---and, as Dylan leaves, upset--being
played by the Blanchett character here---he says: "I knowall I need to
know about you, you don't know anything about me"......!!An artist to
journalist archetype? An artist v. world urban legend?....Couldn't
believe my ears.... ----- Original Message ----From: Mark Kohut
<markekohut at yahoo.com>To: pynchon -l <pynchon-l at waste.org>Sent: Sat,
March 27, 2010 1:43:46 PMSubject: Was Augie March thread, misc.I wonder
whether TRP liked Bellow's work better than Bellow liked his, as SB's
reaction to it hasbeen brought up on the plist, I believe. I bet he
did: P's reading seems very large-hearted, snubbing nothing
pre-emptively and maybe liking little but trivial, mediocre books,
which he probably has long avoided.Here's a P tangent involving one of
P's first great 'getters', Tony Tanner. Tanner's penetrating
of P's meanings, style and early achievement-- without a net, as it
were, is very commendable, as has been said (by Rich, at least, I
think). Anyway, I heard a story which I later did find in print---which
means, if it is not true, it is now institutionalized as
truth!----about Saul and Tony being at the same literary party (In
London, I think). Tanner had written on Saul B's work aswell, of
course. Someone at the party asked Tanner if he had ever met Saul and
he said No. The person decidedto introduce them. He took Tony over to
Saul, who when he learned who he was snubbed him with a line like
this:"I know everything I need to know about him; he knows nothing
about me."...Ah, the literary life...
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