V-2 - Chapter 9 - More voluptuous than fat
Robin Landseadel
robinlandseadel at comcast.net
Fri Oct 15 14:56:47 CDT 2010
On Oct 15, 2010, at 12:29 PM, kelber at mindspring.com wrote:
> "Voluptuous" is a stand-in for homosexual or maybe pansexual,
Pansexual, and very, very Weimar Republic:
http://tinyurl.com/2ahh8lu
> but I don't think Pynchon's point is to tell us that Mondaugen's gay
> [in fact, he seems to be hetero, what with trying to get a glimpse
> of Vera's bod through her negligee and his various encounters with
> Hedwig (before any Angry Inch associations with that name)].
Of course, all of Kurt's liaisons in Chapter 9 were a tad perverse, in
their own ways.
> Mondaugen's voluptuous. Evan Godolphin's "such a fat boy." Benny
> Profane's : "a great amoebalike boy, soft and fat." Slothrop?
> Damn! I can't find the page reference, but I'm positive he's
> described as being on the chunky side (the first person to find the
> reference wins a Disgusting English Candy!). At any rate, he spends
> a lot of time in a pig suit.
TRP does love to play with pigs, doesn't he?
> I have no fucking idea if Pynchon read much Russian literature
I'd lay odds . . .
> , but here's Oblomov: [can't vouch for the public domain, on-line
> translation]
> "In general, to judge from the extreme whiteness of his bare neck,
> his small, puffy hands, and his soft shoulders, one would conclude
> that he possessed an effeminate body."
>
> In Oblomov's case, and, I'm guessing the same for Kurt, Evan, Benny
> and Ty, the effeminate, piggy softness is a sign of sloth; a
> depressed passivity towards life and the complexities of the world.
> Mondaugen shuts himself up in his turret (Like Oedipa?), trying to
> make sense of the ghosts of the past, but not wanting to engage with
> them. He's a colonialist by birth, rather than mentality. Of
> course, once he breaks free of his turret, he enters full force into
> the world domination V-2 thing - look out Belgium and England.
> Evan, Benny and Tyrone are conflicted: can you be in the game
> without being co-opted? Tyrone gets out. Oblomov, in the end,
> jumps in.
>
> Laura
Sounds about right, the alienation eventually leads to disengagement
and withdrawal
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