V-2nd - Farewell to Chapter 6
Mark Kohut
markekohut at yahoo.com
Mon Sep 13 17:37:52 CDT 2010
Before we roll a seven, I wanted to just note couple-three things from Chap 6.
One, we did not comment on Benny Profane's tough guy alter ego, Benny Sfacim or
Sfacimento...:who "could kncok her up higher" etc.....
..uh, intersting, yes?
Also, although i cannot find th epage, there is a moment on a paragraph where
the narrator presents a kind of ..counterforce? Lot 49-like
alternative perception......anyone notice and have a thot or two.
And, didjn't like p. 154 where Benny feels he can 'see the wind" and leaves
before his meeting with Winsome?...very later Pynchon-like?
----- Original Message ----
From: "kelber at mindspring.com" <kelber at mindspring.com>
To: pynchon-l at waste.org
Sent: Mon, September 13, 2010 5:52:46 PM
Subject: V-2nd - Farewell to Chapter 6
We're officially supposed to be talking about Chapter 7 starting today, but
wanted to give a nod to this passage in Chapter 6, Part II, a wonderful antidote
to Fina and her predilection for a good gang-banging:
p. 155 (Harper Perennial):
"... because in some prehistoric circuit of the alligator brain they knew that
as babies they'd been only another consumer-object, along with the wallets and
pocketbooks of what might have been parents or kin, and all the junk of the
world's Macy's. And the soul's passage down into the toilet and into the
underworld was only a temporary peace-in-tension, borrowed time until they would
have to return to being falsely animated kids' toys. Of course they wouldn't
like it. Would want to go back to what they'd been; and the most perfect shape
of that was dead -- what else? -- to be gnawed into exquisite rococo by
rat-artisans, eroded to an antique bone-finish by the holy water of the Parish,
tinted to phosphorescence by whatever had made that one alligator's sepulchre so
bright that night."
Aside from being a pre-reference to the Kenosha Kid sequence in GR (passage down
the toilet), this is one of those mind-expanding Pynchon passages that seems to
tie together genocide (pre-referencing the upcoming Herero massacre sequence in
Chapter 9) and consumerism, foreshadowing his critique of the
military-industrial complex, but reminding us as we read it that spirituality's
hard to come by in modern brightly-lit consumer society. One has to go dark and
deep underground to find it - Under the cobblestones, the beach!
Laura
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