TRTR is Wm Gaddis a writer no one reads?

Mark Kohut markekohut at yahoo.com
Fri Jun 24 10:56:57 CDT 2011


"Thackeray enjoyed portraying the [inherent?] vice of mankind rather than its 
virtues".....

Seems Thackeray or his publisher purposely choose the subtitle of course, but 
cannot find quickly any
sourced remarks about that .....was commented on by
many early reponders......"yes, the subtitle expresses the problem with Mr. 
Thackeray's book,
the lack of the ideal"...........

Bet Gaddis read and liked it?




 


----- Original Message ----
From: Paul Mackin <mackin.paul at verizon.net>
To: Mark Kohut <markekohut at yahoo.com>; pynchon-l at waste.org
Sent: Fri, June 24, 2011 11:01:30 AM
Subject: Re: TRTR is Wm Gaddis a writer no one reads?

On 6/24/2011 10:23 AM, Mark Kohut wrote:
> Re Chapter 7...p.247...
> 
> "A novel without a hero would be distracting in the extreme"....
> 
> the first time I read the phrase "a novel without a hero" was way back when I
> learned that the
> full published title of Vanity Fair was Vanity Fair: A Novel Without a Hero,
> that satire of 19th Century British society
> by that wicked social climber Becky Sharp...which it would be interesting to
> know
> WHY that subline was chosen but I would guess it is for some of the reasons
> Gaddis outlines here.....
>  most particularly so that readers would anticipate NOT identifying with Becky 
>or
> 
> any character......since
> readers do want to still....do you encounter as I do the many readers who will
> say....."I did not like any of the
> characters" as a way to say they did not like a book?........
>  This page also has to be about The Recognitions, yes? and also involves some 
>of
> the cutural myths about heroes
> such as Lord Raglan explores in his book, The Hero, which I have not read but
> learned of around the same time
> as I did The Goden Bough and Eliot and his sources such as jessica Weston, et
> al......................
> 
> 
I thought the subtitle might have been reference to the fact the protagonist was 
a woman and therefore a heroine, not a hero.  Or rather an anti-heroine.  I 
don't know however if in Thackeray's day hero had yet become a substitute for 
protagonist.



Valentine seems to to pretty much be talking nonsense.  Just feeling aggressive 
against Brown.

As for identifying with the hero,  Doing so may help a reader enjoy a novel.  
But a good substitute for identifying with the hero is merely having the 
recognition of some conflict the hero is experiencing that the reader has also 
experienced or can imagine as real.

P



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