NP, but Kubrick

[David Morris]

http://www.dailymail.co.uk/news/article-2069419/Stanley-Kubricks-New-York-Classic-photos-Forties-film-director.html

Long before his days as a Hollywood icon he was displaying great
skills behind the lens and in 1945, at the age of 17, he became the
youngest staff photographer in Look magazine’s history.

Now fine art prints of Kubrick’s work as a photo-journalist in New
York are going on sale.
Curators at the Museum of the City of New York and art advisers at
VandM checked more than 10,000 negatives of Kubrick’s photos to choose
25 for the sale on VandM.
Some of the images are posed, others were shot as he walked around the
city, capturing the heart of

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http://hopelies.com/2011/06/15/stanley-kubrick-%E2%80%93-an-appreciation/

A Stanley Kubrick film is predominantly about the visual impact.
Meticulously designed images edited together with authoritative
precision, often set against an expertly selected choice of music. It
is pure cinema, deriving meaning through visual composition and
arrangement. Through hard work and skill, Kubrick moved himself in to
the unique position where he could assert the same authorship over an
entire film as he could to one of his photographs. His passion and
determination as a director gave him the reputation of a master
auteur, to the point where he controlled everything from the first
stages to the final cut, all within the Hollywood studio system. In
just 13 films Kubrick gave us a body of work to rival the best of any
artist in any medium, with arguably the highest percentage of widely
recognised masterpieces of any director in the world.


On Tue, Apr 3, 2012 at 8:09 AM,  <kelber at mindspring.com> wrote:
> http://www.openculture.com/2012/04/stanley_kubricks_very_first_films_three_short_documentaries.html
>
> LK